Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the greatest albums of Brazilian jazz that Bud Shank ever recorded — done with a style that's a lot more like some of the best bossa albums from Rio at the time! Bud's recorded in other bossa settings before — but there's something about this record that really gets the whole thing right — as Shank's alto and flute come into play with a killer combo that includes Clare Fischer on piano, Larry Bunker on vibes and drums, Joe Pass on guitar, and Milt Holland and Chuck Flores on percussion.
This excellent 3-CD set collects two 10" albums by Shank and 4 12" albums co-led by Shank and Cooper, all for the Pacific Jazz/World Pacific labels between 1954-58. The West Coast cool school was at its height at this time, and both Bud Shank and Bob Cooper were in the thick of it. The first disc gets off to a rousing start with the marvelously swinging VALVE IN HEAD from 1954, with Bud playing fluid alto sax. He's joined by three valve trombone players (Bob Enevoldsen, Stu Williamson, and the ringer Maynard Ferguson) on this tune and for the first half of the disc, an interesting concept. The second half finds him with Coop at Cal Tech in 1959. Count Basie's THE KING gets a rousing airing, and there's a nicely done ballad medley.
La censura prussiana giudicò questo libro «troppo assurdo per essere pericoloso». Marx e Engels, invece, lo considerarono sufficientemente pericoloso per dedicargli più di trecento pagine persecutorie della Ideologia tedesca. Nietzsche non lo nominò mai, ma confessò a un’amica di temere che un giorno lo avrebbero accusato di aver plagiato Stirner. Da più di un secolo le storie della filosofia lo definiscono «famigerato». In breve: L’unico è l’opera più scandalosa e inaccettabile della filosofia moderna. …
With its bell-curve-like flow of ascending and descending beats the amazing Max.Chillroom will personally escort you on your own mind-opening journey. Max.Chillroom has all new tracks from the absolute finest international artists working the fast-growing chill-out scene. This is the first mainstream distributed and supported CD from this genre. The first in a series of chill-out compilations offers eleven exclusive new tracks from the cream of the global chill community. Produced by Lloyd Barde, the tracks were culled from artists all around the globe. Discover just how far this genre has progressed with this cutting edge collection of all new tracks. Plan to move and groove to the fabulously well-carved beats that pave the way for what will prove to be a timeless disc of masterfully chilled tracks. Aes Dana, Bluetech, Sounds From the Ground, Vataff Project and more.