The two albums included here, New Groove, and Barefoot Adventure, present Bud Shank not only on alto sax, but also on baritone, an instrument he had played in clubs and as a sideman in sporadic studio sessions since the early 50s, but never before on his own recording dates. And while his alto has his customary command and fluency, his work on the less familiar baritone is equally impressive, the sound hard and driving, with expressive use of dynamics.
Reissue with the latest 24bit remastering. Features original cover artwork. Comes with a descripton in Japanese. One of the greatest albums of Brazilian jazz that Bud Shank ever recorded — done with a style that's a lot more like some of the best bossa albums from Rio at the time! Bud's recorded in other bossa settings before — but there's something about this record that really gets the whole thing right — as Shank's alto and flute come into play with a killer combo that includes Clare Fischer on piano, Larry Bunker on vibes and drums, Joe Pass on guitar, and Milt Holland and Chuck Flores on percussion.
This excellent 3-CD set collects two 10" albums by Shank and 4 12" albums co-led by Shank and Cooper, all for the Pacific Jazz/World Pacific labels between 1954-58. The West Coast cool school was at its height at this time, and both Bud Shank and Bob Cooper were in the thick of it. The first disc gets off to a rousing start with the marvelously swinging VALVE IN HEAD from 1954, with Bud playing fluid alto sax. He's joined by three valve trombone players (Bob Enevoldsen, Stu Williamson, and the ringer Maynard Ferguson) on this tune and for the first half of the disc, an interesting concept. The second half finds him with Coop at Cal Tech in 1959. Count Basie's THE KING gets a rousing airing, and there's a nicely done ballad medley.