Recorded and released in 1975, Seriously Deep is the only album producer, arranger, conductor, and composer David Axelrod recorded for Polydor. Strangely enough, Jimmy Bowen and Cannonball Adderley produced it, not Axe. He did write everything here, and one has no doubt that he hand-selected most of the set's players: Joe Sample on Fender Rhodes, clavinet, and Arp synth; Ernie Watts, Jerome Richardson, Jay Migliori, and Gene Cipriano on reeds and winds; trumpeters Snooky Young and Allen DiRienzo; Jimmy Cleveland and Dick Hyde on trombones; Billy Fender and John Morell on guitars; Jim Hughart on bass; drummer Ndugu Chancler; percussionist Mailto Correa; and concertmaster Jack Shulman for the strings.
Barry Miles is a Fusion-Jazz keyboardist who has worked with many of the top fusion musicians, including Al Di Meola and Miles Davis. He has issued a handful of solo albums over the years. We now present Sky Train, originally released on RCA Records in 1977, for the first time on compact disc. It features Eric Kloss, Anthony Jackson and Randy Brecker. The album also features the 20 minute epic 'Cityscape (The Fusion Suite)'.
David Britten - Whale Song (1997). Since time eternal the Majesty of the Whale has fascinated and enchanted our senses with its wide range of voices and songs. Over thousands of miles of ocean these peaceful giants communicate with each other using bass notes so low that we could only feel their power as vibrations. Throught time their songs have inspired a natural musical form from which many famous composers have sought inspiration.
The musical experience on this album combines the natural Songs of the Whales, the power of the sea and the sounds of nature which blends them with specially composed music inspired by these undisputed keepers of the oceans. This tranquill musical experience will take you on untold journeys that will leave you feeling relaxed an renewed…
Recorded when she was at the peak of popularity, a result of her stint with Chick Corea's Return to Forever, 500 Miles High presents Flora Purim in concert at the 1974 Montreux Jazz Festival. Accompanied by an all-star band including guitarist David Amaro, flutist Herbie Mann, keyboardist Pat Rebillot, bass legend Ron Carter, and husband (and star in his own right) Airto Moreira on drums, vocals, and various percussion, the Brazilian songstress delivers a fiery performance that must have been a joy to behold. Strictly speaking, this is really more of a band album than a Flora Purim album, as Airto and the guys are featured for extended instrumental romps.
Uh-Oh was only David Byrne's second pop-oriented solo album and his first to be released after the formal end of Talking Heads. Though informed by his various investigations into world music, the album was a natural successor to the Talking Heads records, relying on involved percussion tracks topped by Byrne's quirky singing and lyrics…
More and more music lovers are discovering the unique sound of a vinyl record. Stockfisch thought about whether it is possible just to make the sound creation factors of a vinyl record audible. A pressed record however, has many artifacts arising from the vinyl pressing i.e. distortion, rumble, groove noise, vertical and lateral aberrations, clicks, etc. and other artifacts that are detrimental to a good sound. Stockfisch calls their new production method 'DMM-CD'. With this solution, they can eradicate the aforementioned disadvantages of the pressed record - and yet still maintain the typical vinyl sound.
This CD compilation presents, on 8 discs, 17 recording sessions made between 1951 and late 1956 by the extraordinary trumpeter, leader, composer, and perpetual catalyst–Miles Davis. Featured in this collection are such major artists as Charlie Parker, Thelonious Monk, Charles Mingus, Sonny Rollins, Lee Konitz, and the original Davis Quintet: John Coltrane, Red Garland, Paul Chambers, and Philly Joe Jones. The expanse of Miles Davis's recordings for Prestige Records, the California analogue to New York's Blue Note, is huge. In terms of artistic development, the eight CDs in this box span Davis's development from tentative searching through the full bloom of his first great quintet, whose frontline boasted Davis and a young John Coltrane.