CD Album published in 2001 in one of the many reissues that has seen this singular work of the great Miles Davis. First saw the light in 1954 with 8 subjects; with 11 subjects was reissued in 1957 and added the last from 1971. The '50s brought a new style to jazz, 'cool', but breaking-twinned with the 'bebop' in decline-from the happy collaboration of the brilliant trumpeter Miles Davis and the composer Gil Evans. The roots of this music are included on this disc recorded in three different sessions between 1949 and 1950. The play made a deep impression among music critics and was a fresh and innovative deep milestone in jazz music. Davis and a group of nine musicians under his command were responsible for laying the foundations of this new concept of 'cool' jazz.
In the summer of 1991 Gerry Mulligan decided to revisit Miles Davis's Birth of the Cool recordings. He discussed it with Miles Davis himself who said he might be interested in participating but sadly Davis died a few months later. With Wallace Roney (the perfect sound-alike) in the trumpeter's place, baritonist Mulligan got the band's original pianist and tuba player (John Lewis and Bill Barber), used his own bassist (Dean Johnson) and drummer (Ron Vincent), and found able substitutes in altoist Phil Woods (unfortunately Lee Konitz was unavailable to play his old parts), trombonist Dave Bargeron and John Clark on French horn.