Co-chief conductors Riccardo Minasi and Maxim Emelyanychev take turns on the podium leading this period-instrument band in a rousing collection of concertos by Haydn. Il Pomo d'Oro has been hailed "a wonderful ensemble, and Minasi an outstanding musician" capable of "bringing the house down with his virtuosity" (The Guardian). Emelyaychev's award-winning harpsichord joins Minasi's violin in the soloists' spotlight, along with the distinguished natural horn of Johannes Hinterholzer. The concertos are complemented by Haydn's Symphony No 83 (known as The Hen, because of the ‘clucking’ figures on the strings in its second movement) and his Keyboard Fantasia Hob.XVII:4.
It's hard to know where to start in enumerating the virtues of this recording of Handel's opera Tamerlano, HWV 18, composed in 1724 and revised and revived in 1731 (the latter version is heard here). Start with the opera itself, which might be called the most adult of Handel's operas and is far from being as well known as it should be. Loosely based on a play by Christopher Marlowe, the opera tells the story of the Mongol king Tamerlane, his conquest of part of the Ottoman empire, and the love triangles that resulted. It's full of themes of sadism and psychological torture, expertly captured in the music.
This is the 51st title in the Vivaldi Edition and the 6th volume, out of approximately 12, of the series dedicated to the violin concertos whose manuscripts are held in the National Library of Turin. Following two successful volumes of concertos for solo violin and orchestra recorded separately in the Vivaldi Edition, virtuosos Riccardo Minasi and Dmitry Sinkovsky now join forces to record pyrotechnic concertos for two violins and orchestra. This series of 6 concertos is an overview of the complete art of Vivaldi as a composer and violinist: large of musical scale, invention, expression, energy, and of course, virtuosity.
This is the 46th title in the Vivaldi Edition and the 4th volume, out of approximately 12, of the series dedicated to the violin concertos whose manuscripts are held in the National Library of Turin. All the concertos selected here were composed for, dedicated to or performed in front of Charles VI (1685-1740), sovereign of the Habsburg Empire, renowned as patron and passionate lover of music. This series of 7 concertos is an overview of the complete art of Vivaldi as a composer and violinist: large-scale music, invention, expression, energy, power of evocation, played with considerable virtuosity.