Paul Watkins is one of the world’s finest cellists. He is much in demand throughout the world and although he has made several recordings for Chandos in the past, this is his first as an exclusive artist. He is accompanied by his brother Huw Watkins, with whom he has developed an extremely rewarding musical partnership. The three cello sonatas of the Czech composer Bohuslav Martinu span the period 1939 – 52 and are full of rewarding musical invention. The experience of his long exile was often expressed in his music, particularly here in the Third Sonata and in the Variations on a Slovak Theme. If in the First, competed in 1939, the unease occasioned by World War II may be detected in the first two movements, the energetic finale, driven by Martinu’s motoric rhythms, prompted the composer to remark of its first performance: ‘It came as a last greeting, a beam of light from a better world (which is the opinion of others, not my own). For several minutes we realised what music could give us and we forgot about reality.’
In 2016, Fujiya & Miyagi released two four-song, limited run 12-inch EPs that found the Brighton, England quartet exploring some of their most inspired and well-conceived songs since their breakthrough sophomore LP, Transparent Things, a decade earlier. For their new self-titled LP, Fujiya & Miyagi have combined both EPs, along with songs from a third 12-inch that was, puzzlingly, put out the exact same day. But no matter which format you choose to consume these 11 tracks, it's clear that the quartet have crafted a clear and uniform vision for their new(ish) material. Working off of the dance-y Krautrock sound they've been known to favour, Fujiya & Miyagi keep things fresh and resourceful here with tracks like the groove-centric "Serotonin Rushes," the punk-y "Outstripping (The Speed of Light)" and the pulsating, disco-indebted "Impossible Objects of Desire." Yet it's tracks like the spoken word, self-referential/-explanatory "Extended Dance Mix," the motoric instrumental "Synthetic Symphonies" and the heavy guitar snarler "R.S.I." that earn this collection repeat listens.
After achieving independence from Spain, Argentina developed its own models for concert- and opera-going, even though these continued in many respects to reflect European traditions. Musical legends emerged during this time: Astor Piazzolla, the founder of the Tango Nuevo, Mauricio Kagel, Carlos Gardel and Alberto Ginastera, the man considered for decades to be the country's most significant composer of classical music. Three of the works recorded on this CD fall into Ginastera's final ‘Neo-Expressionist’ period: the Concerto per corde Op.33 (1965), cast in a classical, four-movement form; the Estudios sinfonicos Op.35 (1967), which represent Ginastera at his most adventurous with the avant-garde style; and the Glosses sobra temes de Pau Casals Op.48 (1976/77), in which Ginastera experiments by taking traditional themes by the great Spanish cellist Pablo Casals and holding them up to an avant-garde mirror.
The line-up on this newly released bootleg is said to consist of Florian Schneider, Michael Rother and Klaus Dinger, which tells us that this was probably recorded in that short period of time in 1971, estimated to 6 months, when Ralf Hütter had left the band. Supposedly, the recording was made at the Gondel Kino in Bremen, Germany on June 25, 1971. And it's an interesting recording.
Once known for his stately grand operas Gaspare Spontini posthumously surprised posterity with a light-hearted “commedia per musica” that was found at an antiquarian book dealer in England in 2006 and performed for the first time since 1800 at the Festival Pergolesi e Spontini in Jesi, Italy. With its motoric ensembles, intensifying rhythmic repetitions, and imaginative play with word fragments, La fuga in maschera anticipates Rossini at his best. Known for their historically informed performances, I Virtuosi Italiani is considered as “one of the most dynamic and able-bodied ensembles in the international musical world” (Milano Finanza).
Following the successful publication on Cappriccio of all Shostakovich’s symphonies on CD, Dmitrij Kitajenko once again collaborates with the Gürzenich-Orchester Köln to perform the complete recording of all of Sergey Prokofiev’s seven symphonies. Together they embark on a very challenging project, both in terms of time and level of technical difficulty, a project that demanded huge efforts and potential from the orchestra conductor alike. Prokofiev’s symphonies could not be more varied. They were written at different times throughout the composer’s life and each one individually reflects the pressure of political dictatorship and forced submission to merciless censorship that was prevalent throughout the Soviet-era. On the other hand, the huge energy, the hopes and desires, emotional and social messages conveyed between the lines could not be vanquished even by dictators and censors.
You will receive the complete strategies, methods and techniques that I used to cure myself and my clients. This will rewire your body and mind allowing you to last longer while also giving you the ability to give women pleasure (she’ll really be wondering what happened to you). The language is clear, concise and easy to follow. The methods and techniques are the most powerful available from Tantra, Taoism, Neuroscience and Medicine and have been tried and tested by thousands of men. The manual contains an in depth description of the 7 areas of your life you need to look into to cure premature ejaculation. The videos that help to deepen the understanding of the main manual are the recordings of my lecture to the Danish Sexologers Union.