Mozart

Barbara Hendricks - Mozart: Airs De Concert & d'Operas (1984) (Repost)

Barbara Hendricks - Mozart: Airs De Concert A d'Operas (1984)
EAC | FLAC (image+.cue, log) | Covers Included | 54:16 | 265 MB
Genre: Classical, Vocal | Label: EMI Classics | Catalog: 47122

Two arias include obbtigato instruments. The violin version of the better known setting of the same text with piano obbligato k505. It is the soprano version of the long aria sung by an mezzo or tenor Idamante in Idomeneo. While not quite as phenomenally beautiful as k505, it is both lively and demanding, requiring virtuoso contributions from conductor, orchestra, violinist and soprano. For k505, best that I have heard is Ameling/Dalton Baldwin/Edo de Waart (see my review). Hendricks/Tate/Jose Luis Garcia and the ECO are equally good in the violin setting.

Roberto Prosseda - Mozart For Babies (2017)  Music

Posted by SERTiL at April 26, 2017
Roberto Prosseda - Mozart For Babies (2017)

Roberto Prosseda - Mozart For Babies
Classical | MP3 CBR 320 kbps | 64:26 min | 153 MB
Label: Decca | Tracks: 20 | Rls.date: 2017

Le musiche di Wolfgang Amadeus Mozart accuratamente selezionate dall’artista per il pubblico dei bambini. Ma è un disco che davvero va bene per tutti e ci proietta nell’infinito. E se non basta, ricordiamo che numerosi saggi e studi sembrano evidenziare come la musica del genio austriaco abbia benefici effetti sul quoziente di intelligenza e sulla prontezza dei riflessi di chi la ascolta. Il disco contiene brani oggetto di tali studi.

Simone Dinnerstein - Mozart in Havana (2017)  Music

Posted by SERTiL at April 21, 2017
Simone Dinnerstein - Mozart in Havana (2017)

Simone Dinnerstein - Mozart in Havana
Classical, Orchestral | WEB FLAC (tracks) & d. booklet | 56:17 min | 220 MB
Label: Sony Classical | Tracks: 06 | Rls.date: 2017

Mozart in Havana is a musical collaboration between Simone Dinnerstein and the Cuba Youth Symphony. The album may be her most ambitious to date and is a testament to music's ability to cross all cultural and language barriers. For it, Dinnerstein has collaborated with the virtuosic Havana Lyceum Orchestra to perform Mozart's Piano Concerto Nos. 21 and 23.

Laurence Equilbey - Mozart: "Coronation" Mass & Vespers (2017)  Music

Posted by SERTiL at April 21, 2017
Laurence Equilbey - Mozart: "Coronation" Mass & Vespers (2017)

Laurence Equilbey - Mozart: "Coronation" Mass & Vespers
Classical, Vocal, Sacred | WEB FLAC (tracks) & d. booklet | 51:42 min | 211 MB
Label: Erato - Warner Classics | Tracks: 12 | Rls.date: 2017

“A born Mozartian,” wrote Early Music Review after French conductor Laurence Equilbey led a festival performance of Mozart’s Vesperae solennes de confessore (Solemn Vespers). That work is paired with the composer’s Krönungsmesse (Coronation Mass) for Equilbey’s Erato debut as conductor of the Insula Orchestra and Accentus Choir. The founder of both ensembles, in April 2017 she launches the Insula Orchestra’s long-term residency at the Paris region’s exciting new performance venue, La Seine musicale.
Ksenija Sidorova - Classical Accordion: J.S.Bach; D. Scarlatti; Mozart; Berio; Schnittke; Nordheim; Takahashi; Piazzolla (2011)

Ksenija Sidorova - Classical Accordion (2011)
J.S.Bach; D. Scarlatti; Mozart; Berio; Schnittke; Nordheim; Takahashi; Piazzolla

EAC | FLAC | Image (Cue&Log) ~ 313 Mb | Mp3 (CBR320) ~ 156 Mb | Scans ~ 98 Mb
Genre: Classical | Label: Champs Hill Records | # CHRCD019 | Time: 01:08:28

The winner of numerous international competitions, the brilliant young accordion player Ksenija Sidorova here presents her debut recording; a recital for solo classical accordion. A particularly accomplished artist, Ksenija has collaborated with many leading musicians (including the Belcea Quartet, and Valergy Gergiev with the CBSO), and won numerous awards and accolades. Still an underexploited resource in western classical music, the accordion has had a fast-increasing amount of music written for it since the mid-20th Century. Here, Ksenija Sidrova brings a varied recital featuring some of the best contemporary compositions for the classical accordion, alongside transcriptions of well-known works. No composer has been transcribed more often than Bach; but the accordion - heard here in Bachs Overture in the French Style - brings an advantage that few other instruments can offer; its notes do not die away as soon as they are sounded. This allows an array of colouristic possibilities, denied to other musicians.
Emil & Elena Gilels, Wiener Philharmoniker, Karl Bohm - Mozart: Piano Concertos K.595 & K.365; Schubert: Fantasy (2001)

Wolfgang Amadeus Mozart: Piano Concerto No.27, K.595; Concerto For 2 Pianos, K.365
Franz Schubert: Fantasy in F minor, D. 940 (Op.103) for piano duet
Emil & Elena Gilels, pianos; Wiener Philharmoniker; Karl Böhm, conductor

EAC | FLAC | Image (Cue&Log) ~ 326 Mb | Mp3 (CBR320) ~ 188 Mb | Scans included
Classical | Label: Deutsche Grammophon | # 463 652-2 | Time: 01:17:36

This is the most beautiful of Mozart playing, his last piano concerto given here by Emil Gilels with total clarity. This is a classic performance, memorably accompanied by the VPO and Böhm. Suffice it to say that Gilels sees everything and exaggerates nothing, that the performance has an Olympian authority and serenity, and that the Larghetto is one of the glories of the gramophone. He's joined by his daughter Elena in the Double Piano Concerto in E flat, and their physical relationship is mirrored in the quality, and the mutual understanding of the playing: both works receive marvellous interpretations. We think Emil plays first, Elena second, but could be quite wrong. The VPO under Karl Böhm is at its best; and so is the quality of recording, with a good stereo separation of the two solo parts, highly desirable in this work.
VA - Mozart 225: The New Complete Edition (2016) [200 CD Box Set] RE-POST

VA - Mozart 225: The New Complete Edition
Classical | FLAC (tracks)+cue, artwork, books, bonus materials | 240:57:55 | 62 GB
Label: Decca / DG | Tracks: 3335 | Rls.date: 2016

To mark the 225th anniversary of Mozart’s death, Decca and Deutsche Grammophon are releasing the most authoritative, complete and scholarly box set ever devoted to the work of a single composer. The 200CD Complete Edition was created in partnership with the Salzburg Mozarteum Foundation and Mozart expert Professor Cliff Eisen of King’s College London, and will be released worldwide on 28 October 2016.

V.A. - Mozart: 250th Anniversary Edition - Symphonies (8CDs, 2005)  Music

Posted by Discograf_man at April 15, 2017
V.A. - Mozart: 250th Anniversary Edition - Symphonies (8CDs, 2005)

V.A. - Mozart: 250th Anniversary Edition - Symphonies (8CDs, 2005)
Classical | MP3 CBR 320 kbps | 1,32 Gb | Artwork: 102 Mb
Label: Warner Classics

The sound of this great orchestra playing Mozart with chaste, period decorum and stunning technical clarity under this most painstaking and enlightened of authenticists is never less than revelatory. Harnoncourt succeeds, and this is a truly stunning set which made me listen to these great works in a totally new way – no, more than that, made me reassess them, coming to the conclusion that they are all even greater and more important than I had previously realised.
Ulf Schneider & Stephan Imorde - Mozart: Violin Sonatas - "Hélas, j'ai perdu mon amant!" (2017)

Ulf Schneider & Stephan Imorde - Mozart: Violin Sonatas - "Hélas, j'ai perdu mon amant!"
Classical, Chamber Music | WEB FLAC (tracks) & d. booklet | 73:02 min | 299 MB
Label: CAvi-music | Tracks: 12 | Rls.date: 2017

The works on this recording form the basis for a recital featuring readings of Constanze Mozart’s letters.
V.A. - Mozart: 250th Anniversary Edition - Piano Sonatas & Violin Sonatas (12CDs, 2005)

V.A. - Mozart: 250th Anniversary Edition - Piano Sonatas & Violin Sonatas (12CDs, 2005)
Classical, Piano, Violin | MP3 CBR 320 kbps | 1,93 Gb
Label: Warner Classics

Part of Warner's Mozart 250th Anniversary Edition, this set of 12 discs contains all the complete piano sonatas and violin sonatas, most of the works for piano duet, and several solo piano works. The recordings all date from the late '80s to early '90s and have very good sound. The solo piano works are all performed by Swiss pianist Karl Engel, while the duets are by sisters Güher and Süher Pekinel.