Vincent Herring is complemented by rising young trumpeter Jeremy Pelt on this enjoyable studio date. "All God's Chillun Got Rhythm" is a standard from the swing era, though the quintet translates it into a hard bop vehicle very well, with the leader throwing in a quick reference to another song ("Kerry Dance") from long ago. Herring is a bit playful in his treatment of the ballad "You Leave Me Breathless," while he handles McCoy Tyner's explosive "Four by Five" with finesse. But most of the session is devoted to originals by the band. Bassist Richie Goods contributed the funky, infectious "Citizen of Zamunda," which showcases the leader on his dancing soprano sax. Pianist Danny Grissert, who evidently made his recording debut with this CD, not only proves himself as a capable soloist, but also penned the exciting "Hopscotch" (marked by its use of stop time) and the tense "Encounters."
Opening with the Head Hunters version of "Watermelon Man" and closing with the electro-embracing crossover hit, "Rockit," Mr. Funk is a semi-random skip across Hancock's Columbia recordings, and it technically spans 1973-1983 (at least going by release dates), rather than the 1972-1988 range printed on its cover.
Features 24 bit remastering and comes with a mini-description. An amazing American release from this legendary baritone saxophonist – one of a few Swedish sessions that Lars issued here in the US at the time! The album's a perfect introduction to Gullin's groundbreaking work – that blend of soul, swing, and modernism that easily made him one of the best talents on his instrument in the postwar years – an overseas player to rival gians like Pepper Adams or Serge Chaloff here in the US!
A overlooked gem in Elvin Jones' Blue Note career – and an album that's virtually the blueprint for the Stone Alliance sound forged later in the decade by bassist Gene Perla and reedman Steve Grossman! Both players are working to full effect on this smoking little set – mixing some of the more spiritual modes of other group members with their own sharper-edged, funky-leaning styles – all held together perfectly by both Jones' tight work on drums, and his expansive musical vision! Other players are great too – and include Pepper Adams on baritone sax, David Liebman on flute and tenor, and Jan Hammer on acoustic piano – an instrument he handles with surprising subtlety and soul. Many cuts have a hard, choppy groove – and titles include a remake of "Gee Gee", plus "One's Native Place", "Mr Jones", and "What's Up – That's It".
"Pull" is the fourth studio album by American pop band Mr. Mister, and the only album not to feature founding guitarist Steve Farris, who had departed the band in 1989. It was recorded from 1989 to 1990, but due to the band's being left without a record company - and subsequent breakup - the album was left unreleased until 2010, when it was remixed and released. In the intervening time, bootleg copies of the album (along with various fan-made album cover images) could be found on the Internet. In 2010, the album was finally released by Richard Page's own Little Dume Recordings label.
"Go On…" was the third album by American pop band Mr. Mister. It was released in 1987, and featured a more serious tone than their previous album Welcome to the Real World, which was commercially successful. This album did not fare as well commercially and would become the last publicly released album by the band before they broke up in 1989.