Ambrosian chant (also known as Milanese chant) is the liturgical plainchant repertory of the Ambrosian rite of the Roman Catholic Church, related to but distinct from Gregorian chant. It is primarily associated with the Archdiocese of Milan, and named after St. Ambrose much as Gregorian chant is named after Gregory the Great. It is the only surviving plainchant tradition besides the Gregorian to maintain the official sanction of the Roman Catholic Church.
Filmed live in Baden-Baden by the veteran director Brian Large, Renée Fleming makes her debut in the role of Ariadne together with fellow key Strauss interpreters Sophie Koch and Christian Thielemann, following on from their Rosenkavalier triumph. Thielemann conducts the Staatskapelle Dresden, the orchestra to whom Strauss dedicated his Alpine Symphony and which premiered Feuersnot, Salome, Elektra, Der Rosenkavalier and Daphne. Fleming's voice might have been made for Ariadne and she achieved a great personal triumph in this production: “The chief glory of the evening was hearing Renée Fleming, the Straussian soprano par excellence, making her role debut as Ariadne… As the possessor of what is, possibly, the most beautiful soprano voice in the world, she put her vocal treasures in the service of an empathic, nuanced interpretation of the role. From the creamy top, through a rich, warm middle, to the bewitching, darker colours of her lower register, Fleming poured her magnificent sound into Strauss’s enchanting melodic arcs, animating the sadness, vulnerability, and desire of the bereft princess…” Frankfurter Allgemeine Zeitung
“This is straight and unfussy in its staging, and the video production by Brian Large could not be more expert and unobtrusive (save for one or two close-ups of Jessye Norman's larynx). Tatiana Troyanos's Composer is quite superb, and neither Battle nor Norman can be faulted vocally” (Penguin Guide)
Known to his friends simply as Max, Sir Peter Maxwell Davies is one of the most prolific and frequently performed of British composers. His several hundred compositions draw from an eclectic array of influences, from Indian music to serialism to Renaissance polyphony. Davies has also worked tirelessly in the area of music education and as an environmental activist.
The precocious Davies made his musical debut in a BBC broadcast at age eight. His education continued at Leigh Grammar School and from 1952 at Manchester University, where he received an M.A. in 1957. He also attended the Royal Manchester College of Music from 1952 to 1956, where he and fellow musicians Sir Harrison Birtwistle, John Ogdon, Alexander Goehr, and Elgar Howarth formed New Music Manchester – a group devoted ……….All Music Guide