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Various Artists - Top Funk Jazz (2016)  Music

Posted by vItOrrEs2009 at Feb. 24, 2016
Various Artists - Top Funk Jazz (2016)

Various Artists - Top Funk Jazz (2016)
Label: U-5 | MP3 320 kbps CBR | 164:57 min | 379 mb
Funk, Soul, Jazz

Jazz-funk is a subgenre of jazz music characterized by a strong back beat, electrified sounds and an early prevalence of analog synthesizers. The integration of funk, soul, and R&B music and styles into jazz resulted in the creation of a genre whose spectrum is quite wide and ranges from strong jazz improvisation to soul, funk or disco with jazz arrangements, jazz riffs, and jazz solos, and sometimes soul vocals.

VA - Winter Jazz Frequency (2017)  Music

Posted by ciklon5 at Feb. 22, 2017
VA - Winter Jazz Frequency (2017)

VA - Winter Jazz Frequency (2017)
MP3 CBR 320 kbps | 02:33:16 | 367 Mb
Genre: Jazz, Swing / Label: We Love To Lounge

We Love To Lounge Presents Winter Jazz Frequency 2017. Must have for all Jazz lovers, when Renato Cantini, Cosimo Maria Palopoli, Scott Joplin, Tony Trevisan, Café Duo, Chris Kolonko filled with the contrast of this selection.
Nasheet Waits - Between Nothingness And Infinity (2016) {Laborie Jazz}

Nasheet Waits - Between Nothingness And Infinity (2016)
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 372MB + 5% Recovery
MP3 CBR 320 Kbps | 167MB + 5% Recovery
Genre: Jazz, Post-Bop, Avant-Garde

Expert en polyrythmie virtuose, Nasheet Waits est un improvisateur brillant mais aussi un leader assez charismatique comme le prouve ce véritable premier album de son groupe Equality. A 45 ans, ce batteur influent du jazz contemporain s’inscrit dans l’évolution d’un jeu sans faille, subtil, fougueux, loin des codes d’accompagnement traditionnels. Son usage atypique et complexe de la polyrythmie ouvre la voie à une expression plus libre et authentique qui brille de mille feux tout au long de Between Nothingness And Infinity.
Freddie Hubbard - Anthology: The Soul-Jazz and Fusion Years 66-82 (2002) {2CD Soul Brother Records CD SBPJ 10 D}

Freddie Hubbard - Anthology: The Soul-Jazz and Fusion Years 66-82 (2002) {2CD Soul Brother Records CD SBPJ 10 D}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 0.99 Gb | MP3 @320 -> 365 Mb
Full Artwork @ 300 dpi (jpg) -> 26 Mb | 5% repair rar
© 1966-82, 2002 Soul Brother Records / Passion Music | CD SBPJ 10 D
Jazz / Soul Jazz / Jazz Funk / Fusion / Trumpet / Flugelhorn

This collection on the U.K.'s Soul Brother imprint is a very compelling look at a big slice of Freddie Hubbard's long career as a leader, and one that gets ignored for the most part. Hubbard recorded over 20 records between Backlash, his Atlantic debut in 1966, and Ride Like the Wind for Elektra in 1982, with lengthy stops at Columbia and CTI (as well some straight hard bop and post-bop outings for labels Fantasy and Pablo). In many cases, some of these original recordings were not only disregarded by more traditional jazzheads, they were regarded with outright hostility. It didn't matter to Hubbard, however, because at the time, these were among his best-selling albums and connected with the public deeply.
Jack Wilson - The Jack Wilson Quartet featuring Roy Ayers (1963) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27094}

Jack Wilson - The Jack Wilson Quartet featuring Roy Ayers (1963) {2012 Japan Jazz Best Collection 1000 Series 24bit WPCR-27094}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 225 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (jpg) -> 117 Mb | 5% repair rar | 24-bit remaster
© 1963, 2012 Warner Japan / Atlantic / Rhino | WPCR-27094 | Jazz Best Collection 1000 Series
Jazz / Cool / Post Bop / Piano

A great album recorded in 1963 for Atlantic – one of our favorite ever! Jack Wilson's one of our favorite piano players, and we rave about him all the time on these pages – and one of the reasons why we love him so much is that he was often accompanied by Roy Ayers, who started out his career playing vibes in his group! The pair together are a dream, and this album is arguably their best effort – filled with moody modal cuts, and lots of lyrical interplay that hits these beautiful high points, then dives into pits of darkness. Titles include "Harbor Freeway", "De Critifeux", "Corcovado", "Jackleg", and "Nirvana & Dana".
The Dave Brubeck Quartet - Jazz At Oberlin (1953) {OJC Remasters Complete Series rel 2010 - item 04of33}

The Dave Brubeck Quartet - Jazz At Oberlin (1953) {OJC Remasters Complete Series rel 2010 - item 04of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 170 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (png) -> 518 Mb | 5% repair rar | 24bit remastering
© 1953, 2010 Fantasy / Concord | 0888072319912
Jazz / Cool / West Coast Jazz / Piano Trio / Saxophone

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Brother Jack McDuff - That's the Way I Feel About It (1997) {Concord Jazz CCD-4760-2}

Brother Jack McDuff - That's the Way I Feel About It (1997) {Concord Jazz CCD-4760-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 370 Mb | MP3 @320 -> 130 Mb
Full Artwork @ 600 dpi (jpg) -> 83 Mb | 5% repair rar
© 1997 Concord Jazz | CCD-4760-2
Jazz / Soul Jazz / Hard Bop / Organ Hammond B-3

At times, McDuff demonstrates how soul-jazz organ stars used to make albums back in their '60s heyday, playing then-current pop hits like "The Age of Aquarius" and the theme from Mission: Impossible (which, thanks to cinema, was a hit all over again in 1996 when this CD was made). We also hear McDuff trying out his vocal cords for the first time on Louis Jordan's "Saturday Night Fish Fry"; actually, he merely talks the lyrics over the rhythm section – and at 70, he's entitled to this charming lark.
Reflexionen - Reflexionen (1983) {2016 Japan Timeless Jazz Master Collection Complete Series}

Reflexionen - Reflexionen (1983) {2016 Japan Timeless Jazz Master Collection Complete Series}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 255 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 255 Mb | 5% repair rar
© 1983, 2016 Timeless Records / Solid Records Japan / Ultra-Vibe | CDSOL-6431
Jazz / Post Bop / Modern Jazz / Saxophone / Piano Trio

Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. One of the more freewheeling groups we've ever heard recording for the Timeless label – especially during the 80s stretch in which this set was recorded – a free-thinking quartet that features Urs Leimgruber on soprano, tenor, and bass saxophone – plus Don Friedman on piano, Bobby Burri on bass, and Joel Allouche on drums! Leimgruber's sound really sets the tone for the record – with moody passages some stretches, or a bolder attack at other moments – then supported strongly by Friedman's piano, really gets a lot of freedom here. All tracks are long, and very different than usual for Timeless.
The Slide Hampton Octet - Somethin' Sanctified (1960) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27237}

The Slide Hampton Octet - Somethin' Sanctified (1960) {2013 Japan Jazz Best Collection 1000 Series 24bit Remaster WPCR-27237}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 82 Mb
Full Artwork @ 600 dpi (png) -> 188 Mb | 5% repair rar | 24-bit remaster
© 1960, 2013 Atlantic / Rhino / Warner Japan / WEA | WPCR-27237 | Jazz Best Collection 1000 Series
Jazz / Bop / Hard Bop / Trombone

Features 24 bit remastering and comes with a mini-description. Somethin' Sanctified is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1961. In 1959, trombonist Slide Hampton was known mainly for the excellent arrangements he did for the Maynard Ferguson Band, so it was no surprise that he formed his octet band and began making a serious bid for recognition as a top jazz artist and arranger, recording his first album for the small label Strand. His impact was immediate and in 1960 Slide signed for Atlantic resulting in two studio albums, Sister Salvation and Somethin Sanctified, which were the octets first for the label.

Impact Soundworks Straight Ahead Jazz Horns v2.0 KONTAKT  Software

Posted by orientazure at Feb. 18, 2017
Impact Soundworks Straight Ahead Jazz Horns v2.0 KONTAKT

Impact Soundworks Straight Ahead Jazz Horns v2.0 KONTAKT | 22.1 Gb

The ultimate virtual horn and sax band! With 13 deep-sampled solo instruments – trumpets, trombones, and saxes – this library has everything you need to produce incredible jazz, pop, funk, swing and big band music. Plus with new Smart Voicing ensembles, writing full harmonies and arrangements has never been easier.