As he was developing his formidable career in the early era of smooth jazz, the saxman proved an invaluable sideman of Chick Corea's Elektric Band, David Benoit's touring ensemble and a studio player for projects by such artists as Keiko Matsui and Mike Garson. Yet as a solo artist, he spent his first three albums searching for an identity that ranged from pop (Round Trip) to electronic mainstream jazz (Crossroads). With Oasis, his search came to a diverse, exciting, and highly enjoyable end. Marienthal applies his stellar blowing techniquest to styles ranging from folk to gospel, but the overall attitude he conveys is sweet and soulful R&B, as in the hoppin' grooves of the funky opening tracks "Hustlin'" and "Seafood to Go."
From the producers of AN INCONVENIENT TRUTH, FOOD, INC. and WAITING FOR “SUPERMAN, LAST CALL AT THE OASIS presents an inspiring wake-up call for why you should be worried, and why the global water crisis will be the central issue facing our world this century. With the help of environmental activist Erin Brockovich and such distinguished experts as Peter Gleick and Alex Prud’homme, LAST CALL AT THE OASIS, travels throughout North America shedding light on the vital role water plays in our lives, exposing the defects in the current system, and introducing us to communities in California and Nevada already struggling with its ill-effects, and individuals who are championing revolutionary solutions.