Some albums have the subtlest way about drawing listeners in. There’s no showy solos, the melodies are solid and unfussy, volume is measured out in even quantities, and no one particular track really stands out from the pack, and yet, with no defining hook or catch phrase to reel the ear in, the sound of the album’s last note immediately spurs the decision to start the album over again right from the start. Saxophonist Olivier Boge has created one of those albums.
This second album Olivier Bog diffuse soft light of life. This is an album of resurrection entered a dark period for the young composer and multi-instrumentalist. Bog talks about his two main instruments that dominates with equal success: the piano and the saxophone. You hear the song too but not the guitar that dominates beautiful way elsewhere. For The World Begins Today, the composer has surrounded himself with a team that he is faithful companions lives, brothers, participating fully in the musical intimacy for years. Tigran Hamasyan pianist, bassist Sam Minaie and drummer Jeff Ballard.
"…Each gesture, each interpretive nuance – and there are numerous reminders that Innig’s performance is personal and distinct – serves to enhance Messiaen’s faith. So one cannot escape the devout mystery and probity that Rudolf Innig brings in such full measure to the Livre du Saint Sacrement. This performance promises to invigorate the soul." (Fanfare)
Messiaen's Catalog of Birds for piano is one of the wonders of modern music, a work apart from schools, movement, intellectual constructions, and programmatic declarations concerning the future of music. Perhaps the engaging, enigmatic, spellbinding nature of this music proceeds from Messiaen's unique source of inspiration: birdsong. Non-human, the source of Messiaen's music is nevertheless not alien since Messiaen celebrates the sounds of nature, which he, as a devout Catholic, experiences as a divine creation. It's difficult to imagine a better interpreter of Messiaen's powerful visions than pianist Anatol Ugorski, who plunges himself into Messiaen's spiritual universe with the passionate abandon of a devoted seeker.
Montreal-based Frenchman Olivier Alary is a highly talented composer, who has previously collaborated with Bjork and released albums on FatCat and Aphex Twin's Rephlex label under the name Ensemble, Over the past five or six years Olivier has moved away from that song-based project to focus on composing material for a stream of films and artistic collaborations. In 2007, Olivier's director friend Yung Chang asked him to score his feature-length debut, 'Up the Yangtze' which premiered at Sundance. The film was critically acclaimed and became a reference in the field, opening up a natural transition into film music for Olivier. Since then he has soundtracked more than twenty feature-length fiction films and documentaries, several of which have received prestigious awards and screenings worldwide (Cannes, Berlinale, Sundance, TIFF, Locarno). As the album title alludes, 'Fiction / Non-Fiction' is a compilation of this film music, dating from from the past five years, none of which has been previously released.
The organ compositions of Olivier Messiaen firmly established the composer as a figure of 20th century music. This release features his well-known works L’Ascension and Le banquet celeste, along with two pieces which were discovered posthumously in 1997, Offrande au Saint-Sacrement, and Prelude. Organist Tom Winpenny does an outstanding job in these performances, which were recorded at the organ at St. Giles’ Cathedral, Edinburgh, Scotland.