"This is Anne Sofie von Otter at her most hallowed, and Quasthoff is as quietly witty in the fables as he is harrowing in the military doom-songs. Unsurpassable…" ~BBC Music Mag
In breathtaking detail, high-definition cameras capture the behaviour of this aquatic favourite. Sea otters were nearly wiped out by the fur trade 200 years ago, with only a handful remaining in remote outposts as a curious relic. But 30 years ago, biologists began resurrecting the species in a living experiment. It worked brilliantly, but with unforeseen consequences. This fascinating story examines a species brought back from extinction and the cost of man’s meddling.
This is the story of the Monterey Bay Aquarium's 501st attempt to save an orphan otter. From her discovery as a stranded newborn pup crying on the beach through her rehabilitation in secret roof tanks atop the Aquarium, we follow as Otter 501 learns how to dive, hunt, eat, and fend for herself in the wild, where survival is a long shot at best.
It would be hard to find an opera in any area of the repertory that presents so many textual problems as Les conies d'Holfmann, largely stemming from the fact that the composer died four months before the premiere early in 1881, leaving the score incomplete. The traditional text, bringing in extra material, much of it unauthentic, and leaving out a lot, was only established this century. Arthur Hammond with the Carl Rosa Company was a pioneer in attempting to sort out a more acceptable text, and his work formed the basis of the English National Opera production at the Coliseum and also the Richard Bonynge recording for Decca. Since then the discovery of no less than 1,250 autograph pages allowed Fritz Oeser to produce his monumental edition, as used extensively in the Cambreling recording for EMI (12/88 —nla)…
The epic grandeur of Der Rosenkavalier stems not just from its immense length (over three hours) but from the all-too-human complexity of its characters–each of whom is smitten with someone else–and the endless stream of graceful melodies the composer conjures. After the tonality-stretching dissonance of Salome and especially Elektra, Strauss moved onto a different musical path here: the music's sheer gorgeousness has given this most heartbreaking of 20th-century operas its pride of place in the repertory.
A loving tribute to French Song, by one of the greatest voices. With exceptional sensibility and understanding of the French language, the renowned Swedish singer pays a loving homage to French melody and song. Known for her artistic journeys which transcend the borders of musical genre, Anne Sofie von Otter’s collaborations include those with Elvis Costello and Brad Mehldau, with whom she recorded her ‘Love Songs’ album on Naïve.