After scoring soundtracks and producing others work, Basswalla is Adham Shaikh's first new original material in five years and it would seem that he's not lost a step in his time away. The album, despite having a really bad EDM-ish like name to it, is far better then it's name and cover would seem to indicate. Taking South Asian influences and adding a bit of dance floor swagger to them Adham Shaikh has created a record that's a sub-woofer throbbing behemoth of global chill out cool. Basswalla while containing new material also contains several updated versions of songs Shaikh's released over the last thirteen years. Not really a greatest hits record with some new stuff thrown on top, Shaikh actually re-interpreted his older material with a bit of improvisational spice so that everything here sounds new and fresh.
This is a fantastic example to the 60's Soul Jazz movement. Cox, an accomplished musician, didn't want to be a basketball coach. When he was growing up in Cincinnati, he wanted to be a great baseball player, another Jackie Robinson. And he wanted to be a great jazz saxophone player, another Charlie Parker. After graduating from Kentucky State, Cox came to Chicago with classmate Joe Henderson, the famed tenor sax player. They were en route to California to become professional musicians. But Cox never left. He found a home – and another occupation – on the South Side.
A definite soul based session for Donald Byrd – and that's saying a lot here, because his previous decade's worth of work had all had some sort of R&B focus. The main force behind the set here is Isaac Hayes – who's producing, arranging, and playing most of the keyboards on the album. Oddly, Ike's not singing at all – and vocals are instead handled by Rose Williams, Diane Davis, Pat Lewis, and Myra Walker – plus the Hot Buttered Soul group on backing vocals.