Ozawa

Mstislav Rostropovitch, Seiji Ozawa - Dvořák: Cello Concerto, Tchaikovsky: Variations on a Rococo Theme (1987)

Mstislav Rostropovitch, Seiji Ozawa - Dvorak: Cello Concerto, Tchaikovsky: Variations on a Rococo Theme (1987)
EAC | FLAC (image+.cue, log) - 193 MB | MP3 (CBR 320 kbps) - 137 MB | Covers Included | 56:31
Genre: Classical | Label: Erato | Catalog: 45252

The late Mstislav Rostropovich and Seiji Ozawa deliver probably the greatest digital recording of the Dvorak concerto. For those familiar with the analog Karajan/Rostropovich recording, this digital recording finds the soloist creating a similar impression married with a more supportive Ozawa and the Boston Symphony. Karajan's creamy string sound and often overly-dramatic stylization is replaced here by Ozawa's stricter approach; his handling of the orchestra is masterful in this taught, precise reading. The legendary Boston Symphony responds resplendently and, although they may not highlight the rustic Czech idiom of this music, they certainly bring much charm, warmth, and expected musicality to the accompaniment. But enough about the orchestra - on to Rostropovich.

Tchaikovsky - Pique Dame (Seiji Ozawa) (2009/1992)  Music

Posted by Vilboa at Aug. 24, 2016
Tchaikovsky - Pique Dame (Seiji Ozawa) (2009/1992)

Tchaikovsky - Pique Dame (Seiji Ozawa) (2009/1992)
PAL 4:3 (720x576) VBR | Russian (LinearPCM, 2 ch) | 7.42 Gb (DVD9) | 145 min
Classical | Sony | Sub.: No

Das war ein Abend, wie Opernfreunde ihn lieben: Tschaikowskis »Pique Dame«, ein Werk des Repertoires und doch selten gespielt, ein Ensemble nicht nur berühmter Namen, sondern großer Singschauspieler, dazu ein Dirigent der Sonderklasse – eine Aufführung, wie sie auch an einem Haus wie der Wiener Staatsoper nicht zum »Alltag« gehört. Der Erfolg der Aufführung, der Jubel waren gleichsam vorprogrammiert. Zumal die Wiener Staatsoper ihrem Publikum noch eine ganz besondere Attraktion anzubieten hatte: Im Mittelpunkt des Abends und schier endloser Ovationen stand eine der großen Heroinen der Opernbühne, Martha Mödl, die hier in den Fünfziger- und Sechzigerjahren des Jahrhunderts als Leonore in Beethovens »Fidelio«, als Isolde und Brünnhilde, aber auch in so manchen Partien des dramatischen Mezzofachs Triumphe gefeiert hatte.

Seiji Ozawa - Tchaikovsky: Symphonies Nos.4-6 (2015)  Music

Posted by LoveHive at July 7, 2016
Seiji Ozawa - Tchaikovsky: Symphonies Nos.4-6 (2015)

Seiji Ozawa - Tchaikovsky: Symphonies Nos.4-6 (2015)
Classical | MP3 CBR 320 kbps | 02:14:09 | 308 MB
Label: Deutsche Grammophon

Passionate No. 4, which was the anguish and sorrow of life to the theme, No. 5, which appears at the beginning, "the fate of the subject matter" is reproduced in various forms over the entire movement, grief and desperate provided in the works of portray Phillips recorded the emotion in to intense "Pathetique". Seiji Ozawa has recorded the performance of incandescent, which distributes the two orchestra, is the late Symphonies of Tchaikovsky.
Liszt, F.: Piano Concertos Nos 1 & 2; “Totentanz”; etc. – Zimerman, Boston SO; Ozawa [RE-UP]

Franz Liszt: Piano Concertos No. 1 & 2; Totentanz; Piano Sonata in B minor; etc –
Krystian Zimerman, piano; Boston Symphony Orchestra; Seiji Ozawa, conductor

Classical | 2 CDs | EAC Rip | 434 MB (3% recovery) | FLAC+LOG+Cue | Complete scans
Publisher: DGG | Recorded: 1987, 1990 | Published: 2011| Catalog number: 0289 477 9697 8 2

This is playing in the grand manner… Ozawa and the orchestra are behind the soloist in all this and the deciso element is fully realized. But don't let me imply a lack of finesse; not only do lyrical sections sing with subtlety, the big passages also are shapely… In the gorgeously grisly Totentanz, both music and playing should make your hair stand on end. - C.H.; Gramophone

How To Draw Anime & Game Characters by Tadashi Ozawa [Repost]  

Posted by tanas.olesya at Oct. 25, 2015
How To Draw Anime & Game Characters by Tadashi Ozawa [Repost]

How To Draw Anime & Game Characters by Tadashi Ozawa
English | 17 Jun. 2002 | ISBN: 4766111206 | 152 Pages | PDF | 19 MB

If you are anime/manga collector or fan, you have had a burning desire to learn how to draw the popular characters by yourself. However, you may be worried that you cannot draw as well as people in art clubs or in cartoon clubs because drawing is difficult - don't worry, many people feel the same way.

Seiji Ozawa Conducts A Gershwin Night (2015)  

Posted by peotuvave at Oct. 15, 2015
Seiji Ozawa Conducts A Gershwin Night (2015)

Seiji Ozawa Conducts A Gershwin Night (2015)
Classical | Bluray-rip 720p | Run time: 109 mins | 5.79 GB
AVC, MKV 1280x720 (16:9) 29.97fps, 5880kbps | DTS, 48000Hz, 6ch, 1510kbps

Seiji Ozawa is recognized as one of the supreme Gershwin conductors. Multi award winning blind pianist Marcus Roberts is known as one of the foremostpianists of contemporary jazz. Roland Guerin is not only an instructor for Applied Jazz Bass at the University of NewOrleans, he also toured extensively with Jazz greats such as Gerry Mulligan, George Benson and Jimmy Scott, and he made recordings with Ellis Marsalis and Allen Toussaint among others. Drummer Jason Marsalis is the son of pianist Ellis Marsalis and the youngest brother of Wynton, Branford and Delfeayo. Together, the four brothers and their father Ellis comprise New Orleans' venerable first family of jazz.

Li, Ozawa - Prokofiev: Piano Concerto No 2; Ravel (2007)  

Posted by peotuvave at June 25, 2015
Li, Ozawa - Prokofiev: Piano Concerto No 2; Ravel (2007)

Li, Ozawa - Prokofiev: Piano Concerto No 2; Ravel (2007)
EAC Rip | Flac (Image + cue + log) | 214 MB | MP3 320Kbps CBR | 130 MB | 1 CD | Full Scans
Genre: Classical | Label: Deutsche Grammophon | Catalog Number: 001017502

Yundi Li goes from strength to strength. Deeply thoughtful and formidably virtuosic, he makes light work of Prokofiev’s nightmarish technical demands. This is a really superb disc. As for Seiji Ozawa, he comes in for some bad press these days but here he is a quite wonderful accompanist, coaxing haunting, unforgettable sounds from the Berlin Phil.
Nikolai Rimsky-Korsakov - Scheherazade; Alexander Borodin - Polovtsian Dances from Prince Igor (1973) Seiji Ozawa

Nikolai Rimsky-Korsakov - Scheherazade; Alexander Borodin - Polovtsian Dances from Prince Igor (1973) Reissue 1993
Chicago Symphony Orchestra, conducted by Seiji Ozawa

EAC | FLAC | Tracks (Cue&Log) ~ 294 Mb (incl 5%) | Mp3 (CBR320) ~ 170 Mb (incl 5%) | Scans included
Genre: Classical | Label: EMI/Encore | # CDE 7 67784 2 | Time: 00:56:36

According to classical music specialists, a good performance of Scheherazade requires a top notch orchestra, great conducting, and outstanding individual performance, as well as timing since there is a definite storyline to follow. Flaws on any orchestral department, will be "merciless exposed" along the score. The Chicago Symphony, to many, the most european sounding of all american orchestras, meets all these requirements, as does Ozawa, who knows this score well. It was my first recording of the work and I always go back to it, since has a perfectly well chosen tempo, the solo violin is sweet and umpretentious, and the sound although not as dramatic as others, offers a very "symphonic" account, which always satisfies. The coupling of Borodin is more than adequate and great music too.
Seiji Ozawa - The Art of Seiji Ozawa (2013) [16CD Set] {Deutsche Grammophon}

Seiji Ozawa - The Art of Seiji Ozawa (2013) [16CD Set] {Deutsche Grammophon}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.26 Gb | MP3 @320 -> 2.34 Gb
Full Artwork @ 600 dpi (png) -> 446 Mb | 5% repair rar
© 2013 Deutsche Grammophon / Universal | DG 4807020
Classical / Concerto / Symphony

A rewarding release… As to the Mandarin, first impressions suggest a gloved fist on Ozawa's part and a general softening of attack since [his earlier DG recording from] 1975… Ozawa is strong on sensuality - those all-pervading glissandos, the seduction games and the languidly teasing sequences that lead to the chase… As to the Concerto for Orchestra…the Bostonians' Bartókian pedigree - it was, after all, Koussevitzky who commissioned the work — guarantees a certain élan and refinement… Ozawa is best where the going gets frantic (his finale is terrific, especially at the outset, and he plays Bartok's more concise original ending)… Ozawa's virtues are intelligence, alertness and a fine ear for detail… (Gramophone [8/1995] reviewing the Bartók recordings, originally released as Philips 442783)
Poulenc - Gloria, Stabat Mater (Ozawa, Tanglewood Festival Chorus, Boston Symphony Orchestra; Battle) [1989]

Poulenc - Gloria, Stabat Mater (Ozawa, Tanglewood Festival Chorus, Boston Symphony Orchestra; Battle) [1989]
EAC Rip | FLAC, TRACKS+CUE, LOG | Covers | 1cd, 224 MB
Classical | Label: DG | Catalog Number: 427 3042 7 | TT: 51’56

This is the simply a slpendid recording- well paced, energetic and in excellent sound. I have a suspicion that many people drawn to these works pay undo emphasis on the choir [or they are choir singers] and understandably get frustrating when the choir is not front and center in the musical proceedings. But what Poulenc wrote here does not emphasize the choir [he was a master instrumentalist after all!] so the orchestra should be more prominent at times. Ragardless, this is a great performance!