Collection "Les merveilles des grandes civilisations" - Volume 6 "Le Moyen-âge"…
The appeal of this release hinges more on its sound quality than on the quality of its well-known and excellent performances. Unfortunately, it doesn't sound very good. One can more or less hear Richter – details of articulation occasionally get lost, inner voices are sometimes obscured, and bigger sonorities are often opaque – but he sounds like he's miles away. One can hear Sanderling and the USSR Radio & Television Symphony Orchestra only faintly when they're quiet, somewhat better when they're louder, and all too well when they're really loud. There have been better releases of these recordings in the past – many listeners prefer the 1995 BMG-Melodiya issues – and there will likely be better releases in the future. This one's not worth it except for Richter specialists who have to have every release of every performance Richter ever recorded.
This is the largest, most comprehensive, and most valuable collection currently available of the playing of one of the greatest pianists of the 20th century. Czech Radio seems to have recorded virtually everything Richter played during his frequent visits to Prague during a period of 34 years. Many of the highlights of the pianist's vast repertoire are included here, including 10 Beethoven Sonatas, two Concertos, and the "Diabelli" Variations, along with major works of Brahms, Chopin, Mozart, Ravel, Schubert, Schumann, and Scriabin.
Folk vocal trio with a smooth, wholesome delivery, who helped popularize the work of Bob Dylan and proved crucial in bridging two music generations. The most popular folk group of the 1960s, Peter, Paul and Mary in later decades have also proved themselves to be among the most durable music acts in history. Their longevity dwarfs that of the Weavers, while the fact that the trio continues to be associated with a major record label (Warner Bros.) after decades in the business sets them apart from rivals like the Kingston Trio and the Brothers Four. Then again, perhaps it isn't so surprising – Peter, Paul and Mary's roots run deeper than almost any other folk act one might care to name, while their appeal crosses audience lines that other acts couldn't (and can't) even approach.