Although Chet Baker's recordings from late in his life varied dramatically in quality, this series of studio sessions is a high point in his career. After having his trumpet stolen, he plays beautifully with a borrowed flügelhorn throughout most of these songs with a powerful tone, especially on "Baby Breeze" and Hal Galper's intense "This Is the Thing." Baker delivers some strong vocals on the session led by pianist Bobby Scott, though Scott's huge hit "A Taste of Honey" is marred somewhat by his odd honky tonk piano in the background.
This is a very under-rated album. The complaints are that the strings are too syrupy, yet one of Chet's most critically successful albums was Chet With Strings. This album is just as good as that one or Grey December, which also has strings. In fact, while all the songs are very good, it's worth buying just for Sammy Cahn's "I Should Care", Chet playing the BEST version of that song I have ever heard, with a GREAT string arrangement!! If you like Chet, even casually, you can't go wrong with this charming album.
Few rock & roll or R&B guitarists of the '50s and '60s have a more consistently frantic body of work than the great Mickey Baker, though his name isn't nearly as well-known as Chuck Berry, Bo Diddley, or Ike Turner. Baker did most of his work as a sideman, and his best-known recordings as a headliner found him playing second fiddle to Sylvia Robinson as half of Mickey & Sylvia (whose "Love Is Strange" remains a puzzling delight 50 years after it was recorded), but folks who know and love first-era rock & roll are aware of Baker's greatness, and this collection is a superb overview of his work, both as a bandleader and as a hired gun.
A collaboration between an avant-garde modern classical composer and a traditional Indian/Hindi composer/performer seems as unlikely as ice hockey on the River Styx. However, Passages is a collaboration between Philip Glass and Ravi Shankar and it works quite well. Shankar's smooth style fits nicely with Glass' dissonant orchestrations. There is a great deal of technical data involved here. Both of these artists have long taken intellectual approaches to music. Thus, the liner notes are a bit heavy-handed. The music is brilliant. The symphony dominates the soundscapes, but Shankar's atmospheres are integral to the success of this project.