The Piano Tribute to Pink Floyd contains twelve solo piano pieces performed by David Ari Leon. Most songs are simple interpretations without fancy improvisations, but it really gets to the heart of the essense of Pink Floyd.
Compilation of piano jazz compositions performed by jazz grands - Oscar Peterson, Erskine Hawkins, Thelonius Monk, etc…
Naxos' album devoted to Carson Cooman's instrumental works, including symphonies, chamber music, and solos, represents an infinitesimal portion of his output; his opus numbers were in the 700s before he was out of his mid-twenties, and include pieces written in virtually every genre of Western music. Inevitably, there are some areas in which he will be stronger than others. His choral music is especially compelling: well written for the voice, with excellent text setting in a style that is not simple, but is also immediately engaging.
Athens-born and Munich-based composer Konstantia Gourzi makes her ECM New Series label debut. “What historical voices commingle in the current idiom of a composer whose cultural roots lie in the birthplace of rhetoric, but who emigrated to take a musical apprenticeship in European constructivism?” asks Ingrid Allwardt in the liner notes.
Having made a gradual switch during the 15 years since his first album was published from electronica to instrumental variations on ambient and minimalism, Max Richter is among the most commercially successful composers of our time. This album of his solo piano music belongs in the genre explored so thoroughly for Brilliant Classics by Jeroen van Veen, whose prolific recording history includes hugely popular albums of Philip Glass (BC9419) and Michael Nyman (BC95112), Ludovico Einaudi (BC94910) and Yann Tiersen (BC95129) and his fellow Dutch musician Jakob ter Veldhuis (BC94873) and himself (BC9454). The appetite for slowly moving, unchallenging, post-Minimalist music is apparently infinite, and so this new album is sure to be a success.
For this Alpha-Classics album of modernist music arranged for two pianos, Alexei Lubimov and Slava Poprugin play four essential works that yield some surprises in their keyboard versions. Three of the pieces are transcriptions of instrumental music, specifically Igor Stravinsky's arrangement of his Concerto in E flat major, "Dumbarton Oaks," John Cage's reduction of Erik Satie's Socrate, and Darius Milhaud's four-hand transcription of Satie's Cinéma (composed as a soundtrack for the short Dadaist film Entr'acte, used in the ballet Relâche), with Stravinsky's Concerto for two pianos solo performed as it was originally written.