Italian trumpeters Enrico Rava and Paolo Fresu pay tribute to the late Chet Baker – but take it from us, the set's way more than just a simple tribute album! Some of the tunes might be familiar ones from Chet's book, but the performances here are often distdemoinctly un-Baker-like – taken at times, tempos, and tones that really push the envelope – and which make the album more of a nstration of the instrumental strengths of Rava and Fresu than a return to Chet's earlier sound.
Enzo Pietropaoli (born in 1955) is an Italian jazz bassist. Pietropaoli has performed or recorded with, among others, Chet Baker, Lester Bowie, Woody Shaw, Kenny Wheeler, Franco Ambrosetti, Bob Berg, Johnny Griffin, Michael Brecker, Lee Konitz, Archie Shepp, Phil Woods, Curtis Fuller, Toots Thielemans, Richard Galliano, Gianni Coscia, John Taylor, Rita Marcotulli, Cedar Walton, John Abercrombie, John Scofield, Joe Pass, Pat Metheny, Ginger Baker, Han Bennink, Billy Cobham, Kenny Clarke, Maria Pia De Vito, Norma Wynstone, Gianmaria Testa.
Born in Rome on 6th October 1958, his professional debut dates back to 1975 with Trio di Roma (Danilo Rea, Enzo Pietropaoli). He has been playing all over the world and Europe with his own groups as well as with international artists. In addition to a refined timbre research and a perfect technique, the groups under his name are characterized by a warmth which is peculiar to Mediterranean culture. This undoubtedly makes Roberto Gatto one of the most interesting drummers and composers both in Europe and in the world.
Reissue with the latest remastering. Features original cover artwork. An overlooked 80s session from trombonist Curtis Fuller – and a great one too – a record that really returns the player to the powerful presence we first loved in his albums of the late 50s and early 60s! Fuller's the leadoff solo instrument throughout – working here with backing from the Roma Trio of Danilo Rea on piano, Enzo Pietropaoli on bass, and Roberto Gatto on drums – all playing with that careful, classic vibe that maybe made the Italian scene in the 80s one of the richest on the continent. Curtis blows boldly, even at mellower moments – often phrasing more like a trumpet than a typical trombonist – and serving up lots of soulful sounds in the process. The set features a sublime reading of "Naima", plus "Blue Bossa", "Afternoon In Paris", "Red's Delights", and "Impressions".
Fonderia was born in December 1994 as a band devoted to improvise and mix sounds and styles. Members are Emanuele Bultrini (guitars), Stefano Vicarelli (piano, organ, synths), Federico Nespola (drums), and Luca Pietropaoli (trumpet). Through the years the band gradually extended its sound, exploring musical landscapes that span from jazz-rock to ambient, from world music to funk, by means of improvisation. All these musical experiments were recorded in several demos that had very good reviews on several Italian magazines…
"Plays" is the debut album of Battista Lena Via Veneto Jazz, but is also and above all an album that marks a sort of "back to basics", ie to the essential dimension of the jazz trio. This work differs from previous recordings of the guitarist and composer, focusing on projects with extended and rich in organic contamination with other musical universes (remember the experience with the Plectrum Orchestra Senese and the Banda Sonora); "Plays" is configured as a return to the starting point in the musical journey of Lena (a decidedly elliptical path, which often included the composition of film scores), and as a re-taking possession of the instrument, after having concentrated years mainly on writing.
A day after he finished The Heart of the Ballad, Chet teams again with Pieranunzi and his trio. This was to be Chet's last studio recording, and it is a nice way to remember Chet. When he was in good shape, and he surrounded himself with excellent sidemen (both the case here), he was as capable of creating magic. A good example of this is the title cut. Chet's never really played it much after his famous 1957 vocal and instrumental recording of the tune. He revives it one last time and gives one of the best vocal performances of his last years.
Enrico Rava is a prolific jazz trumpeter and arguably one of the best known Italian jazz musicians. He originally played trombone, changing to the trumpet after hearing Miles Davis. In this recording Rava presents his own interpretations of operatic arias and overtures from Carmen.