The Grateful Dead Movie, released in 1977 and directed by Jerry Garcia, is a film that captures live performances from the Grateful Dead's October 1974 five-night stand at the Winterland Ballroom in San Francisco. This end-of-tour run marked the beginning of an extended hiatus for the band, with no shows planned for 1975…
Day of the Dead is an epic tribute to the music and artistry of the Grateful Dead, curated by Aaron and Bryce Dessner of The National. They have brought together some of their favourite musicians to reinterpret the songs and sounds of the Dead for a new generation. 59 tracks and over 5 hours of music makes the album a landmark to get lost in, to discover hidden treasures and to make your own playlists for whatever mood you’re in. Covers by The War On Drugs, Kurt Vile, Bill Callahan, Courtney Barnett, Anohni, Wilco, Mumford & Sons, Unknown Mortal Orchestra, The Flaming Lips, Stephen Malkmus, Cass McCombs, Tim Hecker, Lucinda Williams, Perfume Genius, Fucked Up, Bonnie "Prince" Billy, The Tallest Man On Earth and others.
Grayfolded is a two-CD album produced by John Oswald featuring the Grateful Dead song "Dark Star". Using over a hundred different performances of the song, recorded live between 1968 and 1993, Oswald, using a process he calls "plunderphonics", built, layered, and "folded" all of them to produce two large, recomposed versions, each about one hour long. The first disc of Grayfolded, titled Transitive Axis, was released in 1994, and the second disc, Mirror Ashes, was released in 1995, both on the Swell/Artifacts label.
Sea of Cowards arrived less than a year after the Dead Weather's debut, Horehound, an album that sounded like a bootleg of a 3 a.m. jam session – not a surprise, really, considering that the idea for the band came out of impromptu playing at Jack White's house. It’s also unsurprising that the Dead Weather evolved quickly, given that the group went from releasing Horehound to touring to recording again almost nonstop. Sea of Cowards isn’t a radical change from Horehound’s smoky, sludgy sound – if anything, White, Alison Mosshart, Dean Fertita, and Jack Lawrence go even deeper into their classic rock and blues fetishes – but it feels more organic, the product of a band instead of four separate personalities.