The dynamic ensemble Brecon Baroque was founded in 2007 by violinist and director Rachel Podger as resident ensemble at her annual Brecon Baroque Festival.The international line-up consists of some of the leading lights in the period-instrument world,such as cellist Alison McGillivray,flautist Katy Bircher,oboist Alexandra Bellamy and violist Jane Rogers,as well as some of Rachel's former students who now occupy leading positions in many of Europe's finest ensembles:violinists Bojan Cicic and Johannes Pramsohler.
For those who already appreciate Rachel Podger's unique brand of magic I'll just say that this return to recorded Bach is lovely and all that one could hope for. All that one looks for is here, and there is more. For those who are not familiar with Rachel Podger, she is a unique voice among violinists. She has absorbed the principles of late Baroque performance practice and made them a part of herself, so that the articulation and inflection of that rhetorical approach to music flows from her as a natural idiom of expression.
One of the most creative talents to emerge in the field of period performance over the last decade, Rachel Podger has established herself as a leading interpreter of the music of the Baroque and Classical periods.
When back in 2003 Rachel Podger’s recording of Vivaldi’s 12 violin concertos Op.4 ‘La Stravaganza’ Vivaldi: La Stravaganza – Podger/Arte Dei Suonatori was released it was universally acclaimed & quickly went on to garner numerous awards from many sections of the music press including Gramophone, Stereophile & The Absolute Sound as well as winning a Diapason d’Or. It is also interesting to note that even on SA-CD.net more than 100 people have recommended that recording. In the intervening years Rachel Podger has widened her recorded repertoire to make further highly regarded recordings of works by Bach, Haydn & Mozart, but she has now made a triumphant return to Vivaldi with this wonderful set of the composer’s 12 Violin Concertos Op.9 known as ‘La Cetra’ .
Vivaldi augmented his reputation as The Red Priest with L'Estro Armonico , Op. 3, a collection of twelve concertos for one, two and four violins. The title of the collection encapsulates the qualities that so entranced Vivaldi's contemporaries. L Estro Armonico , which might be translated as musical rapture , reflects the vitality and freshness of Vivaldi's invention: its rhythmic energy, melodic and harmonic intensity,textural sensuousness,performative brilliance and dramatic flair.
With The All-Baroque Box we realize one of our fondest dreams: harnessing the deep catalogue of Archiv Produktion (supplemented on occasion by Decca L oiseau lyre recordings) to create a comprehensive collection of great music from Monteverdi to Bach. The music ranges from huge Baroque (Missa Salisburgensis, Venetian polychoral, Charpentier Te Deum) to intimate Baroque (the Goldberg Variations, Bach cello suites, solo cantatas) overwhelming in its impact and emotional content.
This is a true gem from the Baroque era that is rarely played or recorded. These fantasies for solo violin were written in 1735, only 15 yrs after Bach wrote his infinitely famous Sonatas and Partidas for solo violin. Fans of Bach looking for new music will be happy listening to these fresh works. I really enjoy the imagination and creativity displayed here, plenty of rhythmic diversity and unattached musical ideas to spare.
After recording Vivaldi's set of Violin Concertos 'La Stravaganza', Opus 4, in 2003, Rachel Podger has been immersed in music by Mozart and Bach on disc. But it has now felt right to come back to the Venetian Maestro, whose sense of drama she adores: “This time I chose his opus 9, the set of 12 Violin concertos entitled 'La Cetra'. There are plenty of jewels in this set, just as in 'La Stravaganza', with even higher technical demands made on the soloist including many, often exotic experimental effects.”