Pollini Brahms

Maurizio Pollini: Beethoven, Mozart & Brahms Piano Concertos [2xDVD9]

Maurizio Pollini: Beethoven, Mozart & Brahms Piano Concertos [2xDVD9]
Classical | DVD | with scans (covers and booklet) | DVD´s FULL No compression | 7,18 Gb (DVD1) | 6,66 Gb (DVD2)
Audio: PCM Stereo | DTS 5.1 | Relesase: November 15, 2005 | Publisher: Deutsche Grammophon

Maurizio Pollini's late 1970s film recordings of Beethoven Piano Concertos 3 and 5; Mozart Piano Concertos 19 and 23; and Brahms Piano Concerto 2 have it all: great pianism, beautiful playing by the Vienna Philharmonic, magnificent conducting by Karl Bohm (Beethoven, Mozart) and Claudio Abbado (Brahms), all adding up to one thing: a beautiful experience. These DVDs are a feast for the ears: great audio, and the eyes: great video. The 1970s Unitel films used in this DG release have held up very well in the vaults: there are no glitches or imperfections in the picture. The camera work is also excellent, and serves the music being performed.
There is no audience, and the recording venue: Vienna's Musikvereien, has wonderful acoustics - one of the best concert halls in the civilized world. It was worth alot to me to see Karl Bohm smile at Maurizio Pollini at the beginning of I, of Mozart's Piano Concerto 19 with it's humorous, scherzo like theme which begins the concerto. Highly recommended!

(Arte) Maurizio Pollini joue Brahms (2016)  Music

Posted by Morocco at March 6, 2016
(Arte) Maurizio Pollini joue Brahms (2016)

(Arte) Maurizio Pollini joue Brahms (2016)
Webrip | 49min | 1280 x 720 | 25.000 fps | MKV | AVC [email protected] @ 2412 Kbps | AAC @ 125 Kbps | 883 MB
Genre : Classical music

Avec ce concert, Maurizio Pollini ne s'était pas produit au Semperoper de Dresde depuis vingt-cinq ans. Son interprétation du Concerto pour piano n° 1 en ré mineur opus 15 a valu au légendaire pianiste italien les ovations du public, et l'enregistrement du concert a été récompensé par l'Académie allemande du disque.
Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism (AMS Studies in Music)

Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism (AMS Studies in Music) by Margaret Notley
English | Nov. 30, 2006 | ISBN: 0195305477 | 254 Pages | PDF | 3 MB

Lateness and Brahms takes up the fascinating, yet understudied problem of how Brahms fits into the culture of turn-of-the-century Vienna. Brahms's conspicuous and puzzling absence in previous scholarly accounts of the time and place raises important questions, and as Margaret Notley demonstrates.
Maurizio Pollini - Piano Concertos (Beethoven, Mozart & Brahms) (2005) [2xDVD9] Repost

Maurizio Pollini - Piano Concertos (Beethoven, Mozart & Brahms) (2005)
2xDVD9 | MPEG2 720x480 (4:3) 29.97fps 6490Kbps | Audio: LPCM 48000Hz stereo 1536Kbps; DTS 6ch | 7.18 GB (DVD1); &.66 GB (DVD2)
Classical | Length: 01:15:03 + 01:44:26 | Nitroflare/Uploadable | Links are interchangable
Johannes Brahms - Wiener Philharmoniker / Carlo Maria Giulini - Ein Deutsches Requiem / German Requiem (1988, 1990's reissue)

Johannes Brahms - Ein Deutsches Requiem / German Requiem
Barbara Bonney / Andreas Schmidt / Vienna Philharmonic / Carlo Maria Giulini
EAC+LOG+CUE | FLAC: 308 MB | Full Artwork: 93 MB | 5% Recovery Info
Label/Cat#: Deutsche Grammophon "Masters" # 445 546-2 GMA | Country/Year: Germany 199_, 1988
Genre: Classical | Style: Romantic, Sacred, Vocal

Masters, as the name suggests, is a series that concentrates on presenting recordings of the stars of DG's digital catalogue. As Diapason noted: "one does indeed find here the greatest names of the DG catalogue: Abbado, Bernstein, Giulini, Karajan, Argerich, Kremer, Pollini, Ludwig …," not to mention Anne-Sophie Mutter, Mischa Maisky, Giuseppe Sinopoli, Trevor Pinnock, Reinhard Goebel and John Eliot Gardiner…

Brahms: Piano Concerto No.2 / Pollini, Abbado  

Posted by Berthold_80 at Nov. 17, 2009
Brahms: Piano Concerto No.2 / Pollini, Abbado

Brahms: Piano Concerto No.2 / Pollini, Abbado
Deutsche Grammophon | 01 Oct. 1997
EAC | flac (img+cue) | no log | 178 MB
Roger Norrington, SWR, NDR, Soloists - Johannes Brahms: Ein deutsches Requiem (2015)

Johannes Brahms - Ein deutsches Requiem (2015)
Christina Landshamer, soprano; Florian Boesch bass; Roger Norrington, conductor
NDR Chor, SWR Vokalensemble Stuttgart, Radio-Sinfonieorchester Stuttgart des SWR

EAC | FLAC | Image (Cue&Log) ~ 268 Mb (incl 5%) | Mp3 (CBR320) ~ 168 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hänssler Classic | # CD 93.327 | Time: 01:04:24

Among the major choral-orchestral works of the 19th century, Sir Roger Norrington and his former Orchestra, the Radio-Sinfonieorchester Stuttgart des SWR, have tackled over the years, now finally comes Brahms' "German Requiem." one of the most beautiful and popular sacred music works in the repertoire. Brahms’ contemporaries, including his close friend Clara Schumann were moved with the score and were enthusiastic about it - and it has been a favorite with the general public ever since. Although Biblical texts are used, the piece is not in the standard church-liturgical tradition. It was Brahms‘personal response to "those who mourn"! The central idea of this masterpiece is the reality of human existence. It is precisely this „earthly character“ that Roger Norrington uses to shape his interpretation emphasizing the grave beautify of the music and not religious awe; in this, Norrington draws us close to the composer’s intentions. He is ably supported by soprano soloist Christina Landshamer, basso Florian Boesch, SWR Vokalensemble Stuttgart and the NDR.
Paul Lewis - Brahms: Piano Concerto No.1 - Ballades Op.10 (2016) [TR24][OF]

Paul Lewis - Brahms: Piano Concerto No.1 - Ballades Op.10
Classical | FLAC (tracks) 24-bit/48 kHz | 72:07 min | 661 MB | Digital booklet
Label: Harmonia Mundi | Tracks: 07 | Rls.date: 2016

Following his highly acclaimed surveys of the piano works of Beethoven and Schubert, British pianist Paul Lewis turns to the romantic period and Brahms's mighty D minor Piano Concerto. Lewis performed the work across Europe in 2014 and in the US for his New York Philharmonic debut. In a review of that concert, New York Times critic Anthony Tomassini praised Lewis for his, "majestic and insightful performance," adding, "I have seldom heard the contrasting theme, which sounds like an affirming chorale, played with such elegant shaping of inner voices." For this new recording, Lewis is accompanied by Daniel Harding leading the Swedish Radio Symphony Orchestra.
Thea King, Clifford Benson - Johannes Brahms: Clarinet Sonatas (1986) Reissue 2004

Thea King, Clifford Benson - Johannes Brahms: Clarinet Sonatas (1986) Reissue 2004
EAC | FLAC | Image (Cue&Log) ~ 144 Mb (incl 5%) | Mp3 (CBR320) ~ 106 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hyperion/Helios | # CDH55158 | Time: 00:43:30

Brahms’s two sonatas for clarinet and piano, Op 120, composed in 1894, were followed only by the four Serious Songs and a set of organ chorale preludes (some of which may have been written at earlier times). His farewell to chamber music was also his farewell gift to the clarinet. The two works recorded here were preceded by the Clarinet Trio in A minor (Op 114) and the great Clarinet Quintet in B minor (Op 115), and all four masterpieces were inspired by the playing of Richard Mühlfeld, principal clarinettist of the Meiningen Orchestra.
Daniel Barenboim, Staatskapelle Berlin, Gustavo Dudamel - Johannes Brahms: The Piano Concertos (2015) 2CDs

Johannes Brahms: The Piano Concertos 1 & 2 (2015) 2CDs
Daniel Barenboim, piano; Staatskapelle Berlin; Gustavo Dudamel, conductor

EAC | FLAC | Image (Cue&Log) ~ 415 Mb (incl 5%) | Scans included | Time: 01:42:06
Genre: Classical | Label: Deutsche Grammophon | # 479 4899 GH2

The old model for creating a hit classical recording – big-name soloist plus big-name conductor in major repertory work – is not so common anymore, but this live Brahms recording from the Staatskapelle Berlin under Venezuela's Gustavo Dudamel, with Argentine-Israeli-Palestinian-Spanish pianist Daniel Barenboim as soloist, shows that there's life in the concept yet. One could point to the virtues of pianist and conductor separately: it's a rare septuagenarian who can combine power and clear articulation of detail the way Barenboim does, and Dudamel builds a vast sweep in, especially, the Piano Concerto No. 1 in D minor, Op. 15. But it's the way that the two work together that really makes news. Chalk it up to shared South American heritage or to whatever the listener wants, but the way the orchestra and piano define separate spheres and work them together is extraordinary. Again, it is in the Piano Concerto No. 1 and its Beethovenian drama that their mutual understanding is most evident, but there is a sense of great variety powerfully unified throughout.