Native Tongue is the fourth studio album by American hard rock band Poison, released in 1993 through Capitol Records. It peaked at #16 on the Billboard 200, #20 on the UK Albums Chart and was certified Gold by the RIAA on April 21, 1993. It has also been certified by CAN platinum. The album features new lead guitarist Richie Kotzen. Kotzen was hired as the band's guitarist following the firing of C.C. DeVille in late 1991. The album features the singles "Stand" which featured the Los Angeles First A.M.E. Church Choir on backing vocals, "Until You Suffer Some (Fire And Ice)" and "Body Talk".
Pretty Woman is noted for its musical selections and hugely successful soundtrack. The film features the song "Oh, Pretty Woman" by Roy Orbison, which inspired the movie's title. Roxette's "It Must Have Been Love" reached No. 1 on the Billboard Hot 100 in June 1990. The soundtrack also features "King of Wishful Thinking" by Go West, "Show Me Your Soul" by the Red Hot Chili Peppers, "No Explanation" by Peter Cetera, "Wild Women Do" by Natalie Cole and "Fallen" by Lauren Wood. The soundtrack went on to be certified three times platinum by the RIAA.
Sit Still, Look Pretty is the debut studio album by American singer Daya. It was released on October 7, 2016, by Z Entertainment, Artbeatz, and RED Distribution. All of the songs from her EP, Daya, are included on the album.
Nordic folk-jazz chanteuse Rebekka Bakken was the most successful exponent of a new generation of Scandinavian jazz singers that also included Silje Nergaard, Sidsel Endresen, and Solveig Slettahjell. On this new album Rebekka interprets the songs of Tom Waits.
Ten volumes into their seemingly never-ending, always-excellent By the Bayou series, Ace returns to R&B for Mad Dogs, Sweet Daddies & Pretty Babies. Like nearly all of its predecessors, this is primarily archival – i.e., there aren't a lot of familiar names, but there are acts that have popped up on previous Bayou installments because, at this point, it's been proven that the well is deep but not fathomless. Newly discovered cuts by unknowns can hardly be called "recycling," and this, like its cousins, is pretty close to straight-up aural dynamite.
“Kingmaker” is Pretty Maids’ highly anticipated follow up to 2013's critically and commercially successful release “Motherland", a record that continued the “revitalized” path that the band set out upon with the now classic album “Pandemonium”.