The second of four albums the reconstituted Steppenwolf cut for Epic, Hour of the Wolf has a very cool fog-enshrouded wolf howling on the cover, the band's name in blood red, and an interesting amalgam of contemporary sounds…
"The Edges of Twilight" is the third album by The Tea Party. Like Led Zeppelin some 25 years ago, the Tea Party draw from a wealth of influences and cultures to create a sound uniquely their own, exotic and earthy, with neo-progressive flourishes and Middle Eastern-sounding melodies. On The Edges of Twilight they start off with a hefty punch of finely crafted, hypnotic hard rock, and then ease the listener into a world where piano ballads, the blues, and hypnotic, sitar-laden meditations seem to fit together perfectly.
Reggae is a wonderful sound and groove guaranteed to make you feel good. Latest & Greatest Reggae Party brings you the newest and greatest sun-drenched reggae hits to heat up your party Caribbean style! We have selected the biggest reggae stars of the genre on one amazing collection for the very first time.
After a string of mediocre albums throughout most of the 1970s, Muddy Waters hooked up with Johnny Winter for 1977's Hard Again, a startling comeback and a gritty demonstration of the master's powers. Fronting a band that includes such luminaries as James Cotton and "Pine Top" Perkins, Waters is not only at the top of his game, but is having the time of his life while he's at it. The bits of studio chatter that close "Mannish Boy" and open "Bus Driver" show him to be relaxed and obviously excited about the proceedings. Part of this has to be because the record sounds so good. Winter has gone for an extremely bare production style, clearly aiming to capture Waters in conversation with a band in what sounds like a single studio room. This means that sometimes the songs threaten to explode in chaos as two or three musicians begin soloing simultaneously. Such messiness is actually perfect in keeping with the raw nature of this music; you simply couldn't have it any other way.
For longtime fans of genre-bending jazz piano trio the Bad Plus, 2016's It's Hard will feel pleasantly familiar. Once again showcasing the talents of pianist Ethan Iverson, bassist Reid Anderson, and drummer David King, It's Hard finds the Bad Plus reworking a set of well-curated pop covers. In that sense, the album fits nicely next to the group's previous covers albums, all of which helped build their reputation as a maverick, forward-thinking outfit unafraid to recontextualize both modern pop songs and traditional acoustic jazz. Particularly effective here is the trio's languid, impressionistic take on Crowded House's "Don't Dream It's Over."
"When The Good Times Come" is the second studio album by British melodic rock band Hard Rain.