Music elates, touches the soul and bypasses reason. Music is magic. But precisely this magic can turn it into an insidious weapon – for music and violence belong together. The brutal power of African war dances, the ferocity of Maori Hakas, the earth-shattering roar of US sound guns blasting Metallica at Taliban hideouts – the principle is always the same: Aggressive sounds demoralise the enemy and whip the allies into a frenzy.
Love. Angel. Music. Baby. is the debut solo album by American singer Gwen Stefani. It was released on November 12, 2004, by Interscope Records. Stefani, who had previously released five albums as rock band No Doubt's lead singer, began recording solo material in early 2003. She began working on Love. Angel. Music. Baby. as a side project that would become a full album after No Doubt went on hiatus. Stefani co-wrote every song on the album, collaborating with various songwriters and producers including André 3000, Dallas Austin, Dr. Dre, the Neptunes and Linda Perry.
Here at Ace Towers we usually have a pretty realistic advance idea of how many copies we’re likely to sell of any CD that we release. But once in a while we put out something that catches the public imagination in a manner that exceeds our expectations in terms of sales and acclaim. Such was the case with our “Special Country Edition” of our “Golden Age Of American Rock’n’Roll” series, which has already sold almost twice as many copies as we initially anticipated, and which is still selling strongly six years on from its initial release.
Interrelated traditions of keyboard and lute playing that flourished in German-speaking lands in the age immediately predating the invention of music printing have fascinated us ever since our very first encounter with the surviving repertoire that originated from these traditions. Fifteenth-century music for keyboard and plucked stringed instruments is without doubt an exciting area in the early history of European instrumental music, but one paradoxically seldom visited by performers and thus virtually unknown to the wider public. Many pieces are recorded here for the first time, and it is our hope that the present disc may contribute to restoring the remnants of a once flourishing and highly refined art to the place they deserve in the awareness of music lovers.
This 33-track overview plays like an expanded version of 1999's Under the Milky Way: The Best of the Church. The two-disc Deep in the Shallows: The Classic Singles Collection includes all of the obvious hits like "Unguarded Moment," "Under the Milky Way," "Ripple," and "Metropolis," while incorporating key tracks from the band post-1999 like "Numbers" (After Everything Now This), "Song in Space" (Forget Yourself), and "Block" (Uninvited, Like the Clouds). While the recent remasters of all of the original recordings remain the most solid recommendation for dream pop/alternative rock fans who missed the boat the first time around, this Classic Singles Collection is the perfect gateway drug.