Music elates, touches the soul and bypasses reason. Music is magic. But precisely this magic can turn it into an insidious weapon – for music and violence belong together. The brutal power of African war dances, the ferocity of Maori Hakas, the earth-shattering roar of US sound guns blasting Metallica at Taliban hideouts – the principle is always the same: Aggressive sounds demoralise the enemy and whip the allies into a frenzy.
These recordings which were assembled to keep alive the memory of unique moments and meetings, are those prime compositions that were written in a state of excitement, with the passion and innocence of first look. Eleni Karaindrou / From the liner notes: Music lovers of Eleni Karaindrou have every reason to rejoice. More than 3 hours of music, written for 22 plays, directed by Antonis Antypas (1986-2010) moved to a historical version - documentary on the Mikri Arktos, a 3 CD to accompany an elegant book, enriched with photographs of performances, reviews and information on the recordings. The cooperation of Eleni Karaindrou director and partner Anthony Antipa began in 1986 when he suggested she composed music for "Victory" by Loula Anagnostakis.
Founded in 2008, the Austrian trio Mother's Cake are set to unleash their third studio album, 'No Rhyme No Reason'. Songs such as first single 'The Killer', 'The Sun' and album opener 'No Rhyme Or Reason' create an immediate impact via an explosive alliance of garage, psych, indie and blues rock, while lengthier sonic excursions such as 'Streetja Man', 'Enemy' and 'H8' delve deeper with elements of psychedelic, progressive and space rock mixed into compelling sound palettes.
Interrelated traditions of keyboard and lute playing that flourished in German-speaking lands in the age immediately predating the invention of music printing have fascinated us ever since our very first encounter with the surviving repertoire that originated from these traditions. Fifteenth-century music for keyboard and plucked stringed instruments is without doubt an exciting area in the early history of European instrumental music, but one paradoxically seldom visited by performers and thus virtually unknown to the wider public. Many pieces are recorded here for the first time, and it is our hope that the present disc may contribute to restoring the remnants of a once flourishing and highly refined art to the place they deserve in the awareness of music lovers.