Freaky Styley is the second studio album by American rock band Red Hot Chili Peppers, released on August 16, 1985 on EMI Records. The album name holds its origins in a commonly used phrase in the '80s to describe anything as being "freaky styley". Freaky Styley marks founding guitarist Hillel Slovak's studio album debut, following his return to the band earlier in the year. The album is also the last to feature drummer Cliff Martinez. Freaky Styley was produced by George Clinton, of Parliament-Funkadelic.
Octane represents the high energy, powerful, intense and hopefully inspiring album that we aspired to create. This album is a continued fusion of traditional tunes and rock classics, taking Bagrock to a whole new level which we are proud to share with you! We looked for ideas for the album from our touring experiences and also from the incredible people we have met and performed with. We are lucky to have some of the best musicians in the world as our friends. We hope you really enjoy the album as much as we did putting it all together.
A pivotal album for the Red Hot Chili Peppers, 1989's Mother's Milk turned the tide and transformed the band from underground funk-rocking rappers to mainstream bad boys with seemingly very little effort. Mother's Milk brought them to MTV, scored them a deal with Warner Bros., and let both frontman Anthony Kiedis and the ubiquitous Flea get back into a good groove following the death of co-founding member Hillel Slovak…
Blood Sugar Sex Magik is the fifth studio album by American rock band Red Hot Chili Peppers, released on September 24, 1991. Produced by Rick Rubin, it was the band's first record released on Warner Bros. Records. The musical styles of Blood Sugar Sex Magik differed notably from the techniques employed on the Chili Peppers' preceding album, Mother's Milk, and featured little use of heavy metal guitar riffs. The album's subject matter incorporated sexual innuendos and references to drugs and death as well as themes of lust and exuberance. Blood Sugar Sex Magik also ranked number 310 on Rolling Stone's the "500 Greatest Albums of All Time" and number 14 on the "100 Best Albums of the Nineties".