An 'essayistic' documentary in which Greenaway's fierce criticism of today's visual illiteracy is argued by means of a forensic search of Rembrandt's Nightwatch. Greenaway explains the background, the context, the conspiracy, the murder and the motives of all its thirty-four painted characters who have conspired to kill for their combined self-advantage. Greenaway leads us through Rembrandt's paintings into seventeenth-century Amsterdam. He paints a world that is democratic in principle, but is almost entirely ruled by twelve families. The notion exists of these regents as charitable and compassionate entities. However, reality was different.
Icarus-like, Rembrandt flew ever higher towards the sun - the most successful artist in the richest city on earth, 17th-century Amsterdam. He lived like a prince and he loved living like a prince. But when his fall came - deep into bankruptcy and scandal, poverty and unfashionability - far from destroying him, it took him to new creative heights and a sense of humanity and the human condition that speaks more directly to us today than Rembrandt in his heyday. Simon Schama celebrates the masterpieces of the last years to coincide with the National Gallery's major exhibition on late Rembrandt.
The question whether or not seventeenth century painters such as Rembrandt and Rubens created the paintings which were later sold under their names, has caused many a heated debate. Much is still unknown about the ways in which paintings were produced, assessed, priced, and marketed. …
…Full of quality songs which can be seen as an acid trip, but occasionally feeling empty and stretched, the Surfers had many people freaked with this. Rembrandt Pussyhorse may be the lost child on the pile of early work genius dug up by the band, but it definitely holds its own even against Locust Abortion Technician and Hairway to Steven. It is recommended that this album be played in the dark, or with ear bleeding volume. Or if possible both.