Despite this track record, most likely the reason that the majority of genre fans didn’t know her is because mainstream smooth jazz radio has been flute-resistant for years. They say it doesn’t test well in their demographic research, but anyone who saw Rene electrify the crowd could attest that this is wrongheaded thinking. Given the chance, considering her formidable composing and playing skills, charismatic presence and dynamite looks, she could be a star on the level of Mindi Abair and Candy Dulfer, who makes a memorable guest appearance on one of “No Restrictions” coolest and most melodic midtempo tracks, “Ladies Night Out.
Henry Purcell's oft-recorded opera, "Dido and Aeneas", is in fact the only one he ever composed, and renowned Baroque specialist René Jacobs turns out to be an ideal interpreter of this seminal 17th-century musical allegory. Not even an hour in length, the opera is an ideal introduction to this period of classical music, as Purcell melds a tragic love story with Shakespearean-level theatricality and surprising comedy elements. This 2006 reissue of a 1998 performance doesn't have quite the dramatic vibrancy of Emmanuelle Haïm's 2004 six-instrument ensemble, but it compensates with scope and polish…
Celebrated Handelian René Jacobs, 'the most exciting opera conductor of the day' (Münchner Merkur), leads the dynamic, exquisitely honed Ghent ensemble and an outstanding cast in one of the composer's most spectacular and ravishingly beautiful creations. The title role, written for the legendary Senesino, is sung by its finest modern exponent, Bejun Mehta, 'one of the most commanding, exhilarating countertenors of the modern era' (New York Times).
After releasing the album “Dear Stranger” in 2013, Rene Liu （劉若英）, also known as “Milktea”（奶茶）, is finally releasing her 14th album “Wish You Well”（我要你好好的）on Sep 22nd.
After the success of Così fan tutte and The Marriage of Figaro, René Jacobs' CD recording of this centrepiece of the Mozart/Da Ponte trilogy offered us his reflections on Classical opera and garnered serious acclaim worldwide. Performed at the Innsbruck festival in August 2006 and filmed in Baden-Baden, this production is nourished by his thoughts on Don Giovanni as taboo-breaker but still respects Mozart's intentions as closely as possible.
In the documentary Looking for Don Giovanni, the director Nayo Titzin follows the creation of this production in the search for musical truth.
René Marie's sensational 'Sound of Red' finds the singer at the top of her game, breaking new ground with her first album of entirely self-penned originals. After landing a Best Jazz Vocal Album GRAMMY nomination with her last release, Marie shoots for the stars again with 'Sound of Red', as she writes a new chapter in jazz in her patented ultra-sexy, wise, provocative and daredevil style. Her brilliance as a writer who draws equally on jazz, folk, R&B and country proves an easy match for her brilliance as a performer.