John Dowland’s Lachrimae Pavans is considered one of the greatest works in the canon of English chamber music. Based upon his famous song “Flow My Teares”, the seven pavans – "Seaven Teares", as Dowland called them – present an extraordinary exploration of the contrapuntal and harmonic possibilities offered by the theme. In this remarkable recording, baroque violinist John Holloway creates a concert programme around the lachrimae Pavans. Threaded between Dowland’s masterpieces are works of other major composers of his era – Henry Purcell, William Lawes, John Jenkins, Thomas Morley and Matthew Locke. In bringing together these works of strongly contrasting colour and character Holloway and company give us a vivid sense of the great flowering of consort music which took place in England in the 17th century.
In an era of hardening religious attitudes and explosive religious violence, this book offers a welcome antidote. Richard Holloway retells the entire history of religion - from the dawn of religious belief to the 21st century - with deepest respect and a keen commitment to accuracy.
John Holloway and Davitt Moroney have set up a musically rewarding partnership in these brilliantly inventive works, furthermore adding to their programme the two lovely sonatas for violin and continuo long attributed to Bach, and justly so. In both of them they are joined by Susan Sheppard (continuo cello). For these sonatas Moroney has preferred a chamber organ to a harpsichord.
is the brand new album from . A 15-song collection featuring and some of the greatest voices ever in soul music including , , , , and many more.