This two-disc set includes "Morphonie" for orchestra with solo string quartet (1972 – 40'10) and "Klangbeschreibung I-III" (1987 – 87'10). Both were premiered by the SWR Sinfonieorchester Baden-Baden und Freiburg at the Donaueschinger Musiktage: "Morphonie" in 1974 and "Klangbeschreibung" in 1987. These recordings were made in the studio, based on the same intensive rehearsals. "Morphonie" is led by Ernest Bour, while "Klangbeschreibung" is led by Michael Gielen…….Autonomeus @ Amazon.com
“This CD with the first four string quartets reflects the interesting path of Rihm’s artistic development. The Minguet Quartet approaches the first two, shorter, works with audibly high concentration without relinquishing, in the frenzy of high-energy playing, their own cultivated sound born from quartet tradition. Here, Rihm’s third quartet, with its not unproblematic subtitle ‘Im Innersten’ (‘at the innermost core’), does not become self-indulgent ….Klassik Heute, September, 2003
The Minguett Quartet recorded nearly the full cycle of Wolfgang Rihm's string quartets for Collegno, and it's a shame these discs are now out of print. The Minguett Quartet are Ulrich Isfort and Annette Reisinger (violins), Aroa Sorin (viola) and Matthias Diener (cello). On this volume of the cycle, we find three quartets from the 1990s and early millennium, a time when Rihm returned to the effusive expressionism that had first made him famous, after a few years of wispy, piannissimo music imitative of Nono and Lachenmann…….Christopher Culver @ Amazon.com
Veteran violinist Anne-Sophie Mutter is not performing the usual Beethoven or Mozart repertoire here, but branching out to embrace new music commissioned for her. Along for the ride are the excellent New York Philharmonic under the baton of Michael Francis for the first Rihm work, and then under Alan Gilbert for the Currier piece, along with contrabassist Roman Patkoló. Lichtes Spiel (for violin and small orchestra) is indeed a "light game," with layered voices in the strings.
The String Quartet No. 1 in D major, Opus 11, was Pyotr Ilyich Tchaikovsky's first completed string quartet of three string quartets, published during his lifetime. (An earlier attempt had been abandoned after the first movement had been completed.) Composed in February 1871, it was premiered in Moscow on 16/28 March 1871 by four members of the Russian Musical Society: Ferdinand Laub and Ludvig Minkus, violins; Pryanishnikov, viola; and Wilhelm Fitzenhagen, cello.
Franz Liszt, writing about Grieg's String Quartet No 1, declared: 'It is long time since I have encountered a new composition, especially a string quartet, which has intrigued me as greatly as this distinctive and admirable work by Grieg'. Grieg himself said that his quartet '… aims at breadth; to soar, and above all at a vigorous sound for the instruments for which it is written.' In 1891, Edvard Grieg started his second quartet, but sadly lacked inspiration and time to finish the last two movements. Levon Chilingirian of the Chilingirian Quartet has studied the original manuscripts of the first two movements (which have many clarifying instructions added by Julius Röntgen in preparation for their printing by C F Peters in 1908) and prepared the third and fourth movements especially for this recording. This is therefore a first recording of the completed String Quartet No 2.