Contemporary blues icon Robert Cray will be celebrating his 40 years of performing with an incredible live release, 4 Nights of 40 Years Live on 28th August 2015. The 94 minute video in 4 Nights of 40 Years Live is a Cray Band convergence. Coming together are a mesmerizing blend of clips from the San Francisco Blues Festival, the Dutch TV show and the four concerts featured on the first CD. Between clips Cray comments on the band's history and his personal philosophy of music. There is also behind the scenes footage of the band collaborating with producer Jordan. And putting the Cray Band in perspective are interviews with Eric Clapton, Keith Richards, Bonnie Raitt, Jimmie Vaughan and Buddy Guy each giving their personal response to the music and the man…
The album combines the band's skills with legendary, Grammy winning engineer Don Smith (The Rolling Stones, Ry Cooder, Miles Davis) to craft an intelligent and sophisticated CD that draws from a diverse pool of influences to create a signature sound and a varied menu of songs.'Twenty', like its predecessor Time Will Tell, was co-produced by Cray along with Jim Pugh, his keyboardist of 16 years.
One of Robert Cray's best albums ever, and the one that etched him into the consciousness of blues aficionados prior to his mainstream explosion. Produced beautifully by Bruce Bromberg and Dennis Walker, the set sports some gorgeous originals ("Phone Booth," "Bad Influence," "So Many Women, So Little Time") and two well-chosen covers, Johnny "Guitar" Watson's "Don't Touch Me" and Eddie Floyd's Stax-era "Got to Make a Comeback." Few albums portend greatness the way this one did.
Robert Cray is one of a precious few young blues-based artists with the talent and vision to successfully usher the idiom into the 21st century without resorting either to slavish imitation or simply playing rock while passing it off as blues. Just as importantly, his immensely popular records helped immeasurably to jump-start the contemporary blues boom that still holds sway to this day. Blessed with a soulful voice that sometimes recalls '60s-great O.V. Wright and a concise lead guitar approach that never wastes notes, Cray's rise to international fame was indeed a heartwarming one.
Released in 2007, this 16-track compilation presents an excellent overview of Robert Cray's first 25 years of recording. Although it shares many tracks with 1999's HEAVY PICKS–including, of course, the Georgia-based bluesman's ominous '86 hit, "Smoking Gun"–DEFINITIVE COLLECTION tops that set by extending its reach to '05 with the wistful "Poor Johnny," making it the more comprehensive anthology.
Eric Clapton was the opening act of his own Crossroads Guitar Festival on April 12. He took the stage at New York's Madison Square Garden just before the official starting time of 7:30, as if he couldn't wait to get the night going. Seated with an acoustic guitar, dressed in shades of gray and wearing glasses, Clapton performed a short set with his current touring band, starting with an earthy stroll through Charles Brown's