A true revolutionary, composer/performer/improviser Robert Dick has literally redefined the flute for our age. He has worked with a wide range of musicians from classical, jazz and improvised music backgrounds including Steve Lacy, Evan Parker, George Lewis and many others. Here he focuses in on the elusive contrabass flute, and uses a wide range of extended techniques including multiphonics, percussive effects, circular breathing and more! A unique and heartfelt CD of modern flute music unlike anything you have heard before!
This double-CD reissues the nine numbers from a former double LP, adding three previously unreleased tunes from the same Switzerland concert. The Steve Lacy Five (the leader on soprano, Steve Potts on alto and soprano, Irene Aebi on cello, violin and vocals, bassist Kent Carter and drummer Oliver Johnson) is at its best on scalar-based instrumentals such as the near-classic "Blinks." Some tunes utilize the voices of Aebi and Lacy, and these are often quite eccentric and for more selective tastes. But the many strong solos by Lacy and the highly underrated altoist Potts makes this two-fer of interest for followers of advanced jazz. This was always a well-organized and highly original group.
This gives a good picture of Lacy's range in the 1970s. Solos, some very stretched out ensemble work, some of the best Aebi I've heard. There's even a snippet of Lacy playing Satie––if you visit the Satie Museum in Honfleur you'll heard a beauteous solo of his, and he played Satie in a few European concerts, recordings of which exist and should be issued. The three-CD box set that makes up Scratching the Seventies/Dreams represents Steve Lacy's first expatriate records in Paris beginning with sessions in June of 1969 and concluding in 1977 with six of the seven members of the Steve Lacy Septet (pianist Bobby Few was not yet on board). Here, five complete albums tell the story of that decade in the musical aesthetic of Steve Lacy's development as an artist as well as a composer and bandleader.
Saxophonist Lacy provides listeners with an engaging, lyrical selection of material. Featured here is Lacy's long-time collaborator acoustic bassist Jean-Jacques Avenel; each offering lengthy periods of soloing. Fluid and stunning, Avenel migrates over the expanse of his instrument's ebony fingerboard conjuring compelling and commanding melodies with effortless virtuosity. An entirely different face of Lacy, this is the man at his experimental best. His wife, Irene Aebi, joins on vocals. As much as the fragmented and angular musical lines, Aebi's theatric and often spoken delivery gives this music its art jazz quality. Added instrumentation is more saxophones, bass clarinet, percussion, and especially the harpsichord.
(En) "Findings" is an excellent music instruction book written by the late Steve Lacy in the early 1990s. The book is now in its second edition (2006) and would be an excellent addition to any musician's music library. The book includes information about Lacy's practice routine, a short biography, and enough exercises and ideas to keep one's musical and non-musical mind busy for years. Lacy was an absolute master of the soprano saxophone but this work will prove invaluable for any musician interested in the way a master musician practiced and thought. …
Sortie/Disposability album by Steve Lacy was released May 11, 2010 on the Free Factory label. Digitally remastered two-fer containing a pair of rare complete original LPs by Jazz legend Steve Lacy recorded in Italy: Sortie (which appears here on CD for the first time ever) and Disposability. Sortie/Disposability songs Both albums focus on Free Jazz. Sortie/Disposability album Sortie is a quartet excursion with trumpeter Enrico Rava sharing the front line. Sortie/Disposability CD music The long unavailable Disposability presents Lacy with the same bassist and drummer as Sortie in a trio set that includes a mixture of original tunes with compositions by Thelonious Monk, as well as a song by Cecil Taylor and another by Carla Bley.
An ideal companion piece, the juxtaposition of ensemble interaction, sailing and contrasting solos and even-if momentary pauses allows Mal Waldron with the Steve Lacy Quintet (basically add Lacy's longtime collaborator Waldron to the above mix) to continue the "gap concept naturally. The undeniably individual pianist adds a particular depth with resonant multi-textural playing of single notes and colorful yet dramatic chords, a perfect tonal foil at times to Lacy's atonal proclivities. Waldron once said, appropriately enough, "If there's no silence, the sound doesn't mean anything. Starting where "The Thing left off, the 18+ minute Waldron suite "Vio is followed by two of Lacy's originals: "Jump For Victor and a Monk-ish "Blue Wee , with two newly found precious alternate takes of the first two pieces.