Rolling Stones: Live at the Max brings the 1991 IMAX film of one of the Stones' performances from the Steel Wheels tour to home video…
Metamorphosis is the third compilation album of The Rolling Stones music released by former manager Allen Klein's ABKCO Records (who usurped control of the band's Decca/London material in 1970) after the band's departure from Decca and Klein. An album of outtakes, demos and rarities recorded during the band’s period with Decca Records has some interesting tracks. Some of the demos only feature Mick on vocals and have session musicians, including Jimmy Page and Big Jim Sullivan on guitars. On the original UK release there were sixteen tracks, whereas the US version omitted “Some Things Just Stick in Your Mind” and “We’re Wastin’ Time”, two of the demos. ABKCO released a couple of singles at the time, including Mick’s version of “Out of Time”, sung over the original backing track for Chris Farlowe’s hit version.
The three-disc box set Singles Collection: The London Years contains every single Rolling Stones singles released during the '60s, including both the A- and B-sides. It is the first Stones compilation that tries to be comprehensive and logical – for all their attributes, the two Hot Rocks sets and the two Big Hits collections didn't present the singles in chronological order. In essence, the previous compilations were excellent samplers, where Singles Collection tells most of the story (certain albums, like Aftermath, Beggars Banquet, and Let It Bleed, fill in the gaps left by the singles). The Rolling Stones made genuine albums – even their early R&B/blues albums were impeccably paced – but their singles had a power all their own, which is quite clearly illustrated by the Singles Collection.
This two-LP/two-CD set is both a lot more and a bit less than what it seems. It is seven years' worth of mostly very high-charting – and all influential and important – songs, leaving out some singles in favor of well-known album tracks, and in the process, giving an overview not just of the Rolling Stones' hits but of their evolving image. One hears them change from loud R&B-inspired rockers covering others' songs ("Time Is on My Side") into originators in their own right ("Satisfaction"); then into tastemakers and style-setters with a particularly decadent air ("Get Off of My Cloud," "19th Nervous Breakdown"); and finally into self-actualized rebel-poets ("Jumpin' Jack Flash," "Midnight Rambler") and Shaman-like symbols of chaos.