Sacred Songs

300 Sacred Songs  eBooks & eLearning

Posted by Kruzzz at Dec. 23, 2010
300 Sacred Songs

300 Sacred Songs
Creative Concepts | English | 2001 | ISBN-10: 0634030833 | 184 pages | PDF | 22 MB

Daryl Hall / Robert Fripp - Sacred Songs (1980) [1999]  Music

Posted by JET 1 at Sept. 18, 2016
Daryl Hall / Robert Fripp - Sacred Songs (1980) [1999]

Daryl Hall / Robert Fripp - Sacred Songs (1980) [1999]
EAC Rip | FLAC (Tracks) +CUE, LOG | 408 MB | Covers Included
Genre: New Wave, Art Rock | Label: Buddha Records | Catalog Number: 7446599604-2

Sacred Songs is American singer/songwriter Daryl Hall's first solo album. It was produced by guitarist Robert Fripp, who also played on the album. The album was recorded in 1977 but Hall's label, RCA, did not release it for three years. According to Nick Tosches, who wrote Dangerous Dances, the authorized biography of Hall & Oates, "RCA refused to release Sacred Songs on the grounds that it wasn't commercial". When finally released, it had decent sales, but ultimately did not yield a hit single.

300 Sacred Songs In A Fake Book Format Melody Lyrics Chords [Repost]  eBooks & eLearning

Posted by AlenMiler at Oct. 1, 2014
300 Sacred Songs In A Fake Book Format Melody Lyrics Chords [Repost]

300 Sacred Songs In A Fake Book Format Melody Lyrics Chords by Hal Leonard Corp.
HAL LEONARD CORPORATION | June 1, 2001 | English | ISBN: 0634030833 | 184 pages | PDF | 22 MB

300 great songs of faith, arranged in fake book format.
Isabel Bayrakdarian ~ Joyous Light (Armenian Sacred Songs) (2002)

Isabel Bayrakdarian ~ Joyous Light (Armenian Sacred Songs)
EAC Rip | FLAC (image+.cue), LOG | Complete Booklet (jpg) | 288 MB
Classical/Secred | Label: Canadian Broadcasting Corporation; CA
Anne Azéma. Provence Mystique. Sacred Songs of the Middle Ages

Anne Azéma. Provence Mystique. Sacred Songs of the Middle Ages
EAC FLAC cue | Booklet | 285 MB
Erato 3984-25503-2 | 1998

Renee Fleming - Sacred Songs (2005)  Music

Posted by byuriy at Sept. 22, 2007
Renee Fleming - Sacred Songs (2005)

Renee Fleming - Sacred Songs (2005)
Genre: Sacred, Classical | 2005 | 5% Recovery | APE | 252 Mb
Himmels-Lieder - Sacred Songs & Cantatas - Franz Vitzthum (2012)

Himmels-Lieder - Sacred Songs & Cantatas - Franz Vitzthum (2012)
EAC Rip | Flac (Tracks + cue + log) | 1 CD | Full Scans | 334 MB
Genre: Classical | Label: Christophorus | Catalog Number: 77354

The voice of countertenor Franz Vitzthum resounds with lightness and clarity: its almost ‘celestial’ quality appears completely free of all ballast. How appropriate therefore is this programme for Christophorus, in which the yearning for eternal life, when the shackles of mortal existence have been thrown off, was a central theme of the German Baroque period.

The Stanley Brothers - Hymns And Sacred Songs (1959)  

Posted by tvladb at Jan. 10, 2009
The Stanley Brothers - Hymns And Sacred Songs (1959)

The Stanley Brothers - Hymns And Sacred Songs (1959)
Bluegrass Country Gospel | 1CD | MP3 | CBR 256 Kbps | 57 Mb
1959 | Language: English | Label: King Records

Rene Fleming-Sacred songs  

Posted by villadebach at Dec. 4, 2008
Rene Fleming-Sacred songs

RENEE FLEMING - SACRED SONGS
1 DVD | PAL | 2005 | Decca | 87 min | Covers & booklet | ~6,3 GB | 3% recovery
Pierre Boulez conducts Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)

Anton Webern - Piano Quintet; Songs & Choruses; 5 Pieces; Quartet; Concerto (1995)
Pierre Boulez, conductor; Ensemble Intercontemporain; Françoise Pollet, soprano; Christiane Oelze, soprano; BBC Singers

EAC | FLAC | Tracks (Cue&Log) ~ 238 Mb (incl 5%) | Mp3 (CBR320) ~ 167 Mb (incl 5%) | Scans ~ 82 Mb
Genre: Classical | Label: Deutsche Grammophon | # 437 786-2 | Time: 01:09:25

It is almost exactly a quarter of a century since Pierre Boulez recorded his complete Webern survey. This new collection, apart from being useful for anyone who doesn't want to buy three whole CDs of Webern, offers an interesting insight into how Boulez's way with a composer probably more central to him than any other has changed. For a start he gives him a little more time: most of the pieces here are slightly but significantly slower than they were in 1970. This allows lines to be more subtly moulded, phrases to acquire a touch more poise. This is not to say that Boulez has softened and now phrases Webern as though he were Chopin, but grace and even wit (the second movement of the Quartet) are now noticeable alongside his customary precision. The Ensemble InterContemporain have been playing these pieces constantly since they were first founded, and it shows in the absolute assurance of their performances.