Sarah Gillespie

Sarah Vaughan - Original Album Series (2015)  Music

Posted by DjangoTiger at Oct. 7, 2015
Sarah Vaughan - Original Album Series (2015)

Sarah Vaughan - Original Album Series (2015)
MP3 CBR 320 kbps | 5 CDs | 2:57:07 | 406 MB
Genre: Jazz, Vocal Jazz | Label: Warner Jazz

Possessor of one of the most wondrous voices of the 20th century, Sarah Vaughan ranked with Ella Fitzgerald and Billie Holiday in the very top echelon of female jazz singers. She often gave the impression that with her wide range, perfectly controlled vibrato, and wide expressive abilities, she could do anything she wanted with her voice. Although not all of her many recordings are essential (give Vaughan a weak song and she might strangle it to death), Sarah Vaughan's legacy as a performer and a recording artist will be very difficult to match in the future…
Dizzy Gillespie - Dizzy Digs Paris (1953) [2CD] {2006 Giant Steps Remaster}

Dizzy Gillespie - Dizzy Digs Paris (1953) [2CD] {2006 Giant Steps Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 572 Mb | MP3 @320 -> 370 Mb
Full Artwork @ 600 dpi (jpg) -> 364 Mb | 5% repair rar
© 2006 Giant Steps | GSCR 016
Jazz / Mainstream Jazz / Bop / Trumpet

On February 9, 1953, Dizzy Gillespie played a live concert at the Salle Pleyel in Paris that was recorded, though when excerpts were first released, there were only enough used to fill one 10" LP. This two-disc set not only includes the entire 84-minute show (which actually fills just over one disc) for the first time on CD, it also adds 16 studio tracks that Gillespie cut in Paris that same month, as well as eight Gillespie-less studio tracks (also done in Paris in February 1953) by three of his sidemen, working under the name the Wade Legge Trio. It's the live Salle Pleyel set that's the main feature, presented here, according to the liner notes, in an "unedited remastered version of that evening's events with a number of butchered solos fully restored plus the addition of [alto and baritone saxophonist] Bill Graham's previously discarded showcase "'I Don't Stand a Ghost of a Chance,'" for which Dizzy made a rare appearance on piano."

Jazz Icons - Sarah Vaughan: Live In '58 And '64 (2007)  Music

Posted by Melaron at Oct. 14, 2011
Jazz Icons - Sarah Vaughan: Live In '58 And '64 (2007)

Jazz Icons - Sarah Vaughan: Live In '58 And '64 (2007)
DVD-5 | Runtime: 66 min. | 3,98 Gb | Copy: Untouched
Video: NTSC, MPEG Video at 6 051 Kbps, 720 x 480 (1.333) at 29.970 fps | Audio: PCM at 1 536 Kbps, 2 channels, 48.0 KHz
Genre: Jazz, Swing | Label: Reelin' in the Years/Naxos

Jazz Icons: Sarah Vaughan features the “Divine One” in her prime, wrapping her sultry voice around jazz standards such as “Lover Man”, “Misty” and “I Got Rhythm” and soaring on popular showtunes such as “Over The Rainbow” and “Maria”. One of the greatest voices of the 20th Century, her renditions of songs by Harold Arlen, Leonard Bernstein, Johnny Burke, the Gershwins and Stephen Sondheim are pure diva magic. These three performances demonstrate why Sarah Vaughan is invariably mentioned in the same breath as Ella Fitzgerald and Billie Holiday.

Sarah Vaughan - Autour De Minuit (1990)  Music

Posted by Bezz at Aug. 7, 2011
Sarah Vaughan - Autour De Minuit (1990)

Sarah Vaughan - Autour De Minuit (1990)
EAC rip | FLAC + CUE + LOG | Full Scans | 280 Mb (Incl. Recovery)
Genre ~ Cool, Standards, Vocal Jazz | Label ~ PolyGram S.A. France
Dizzy Gillespie & His Orchestra - Afro (1954) {2002 Verve Music Group} **[RE-UP]**

Dizzy Gillespie & His Orchestra - Afro (1954) {2002 Verve Music Group}
EAC Rip | FLAC with CUE and log | scans | 116 mb
MP3 CBR 320kbps | RAR | 64 mb
Genre: jazz

Afro is the 1954 album by jazz trombonist Dizzy Gillespie. Originally released as Norgran MG-N 1003 in 1954, this CD was released by Verve on 7 May, 2002. The album was recorded and mixed in mono, thus the file size is correct.
Dizzy Gillespie - Groovin' High (1945-46) {Savoy Jazz Japan SV-0152 rel 1992}

Dizzy Gillespie - Groovin' High (1945-46) {Savoy Jazz Japan SV-0152 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 148 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 300 dpi (jpg) -> 14 Mb | 5% repair rar
© 1945-46, 1992 Savoy Jazz / Nippon Columbia | SV-0152
Jazz / Be Bop / Swing / Big Band / Trumpet

It's 1940s and Dizzy Gillespie's big band are at their absolute peak! Listening to this record makes me wonder why there ever became such a thing as jazz snobbery. This music doesn't sound like the domain for snobs. In fact it showcases jazz in a crucial and innovative place. Here we are in this place where swing and be-bop have long ago cross polinated eachother (one needed to have the other anyway:we all know in what way",you've got Dizzy whose at once both a great intellectual musician as well as being able to make it move. And here you have him playing with these…well nowadays you'd have to call them all stars such as Dexter Gordon, Milt Jackson, Charlie Parker, Cozy Cole, Sonny Stitt, Kenny Clarke…the list goes on like that and BIM BAM BOOM you've got big band be-bop!
Dizzy Gillespie - Dee Gee Days: The Savoy Sessions (1951-52) {Savoy Jazz ZDS 4426 rel 1985}

Dizzy Gillespie - Dee Gee Days: The Savoy Sessions (1951-52) {Savoy Jazz ZDS 4426 rel 1985}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 298 Mb | MP3 @320 -> 174 Mb
Full Artwork @ 300 dpi (png) -> 15 Mb | 5% repair rar
© 1951-52, 1985 Savoy Jazz | ZDS 4426
Jazz / Bop / Afro-Cuban Jazz / Trumpet

When Detroiter David Usher and Dizzy Gillespie founded the Dee Gee record label, they might have had an inkling that their project could, and would, fail financially due to poor distribution, the conversion from 78s to LPs, and the heavy hammer of the taxman. They might have felt, but could not have imagined, that they would create some of the most essential and pivotal jazz recordings for all time, not to mention some of the last great sides of the pioneering bebop era. Gillespie's large ensembles brought to public attention the fledgling young alto and tenor saxophonist John Coltrane, such Detroiters as guitarist Kenny Burrell or pianist/vibraphonist Milt Jackson, and vocalists Joe Carroll, Freddy Strong and Melvin Moore. Considering the years – 1951 and 1952 – this was revolutionary breakthrough music from a technical and entertainment aspect, delightful music that has stood the test of time and displays the trumpeter in his prime as a bandleader.
Dizzy Gillespie - A Musical Safari: Live At The 1961 Monterey Jazz Festival (2015) {Solar Records 4569957}

Dizzy Gillespie - A Musical Safari: Live At The 1961 Monterey Jazz Festival (2015) {Solar Records 4569957}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 501 Mb | MP3 @320 -> 186 Mb
Full Artwork @ 600 dpi (png) -> 135 Mb | 5% repair rar | 24bit remastered
© 1961, 2015 Solar Records | 4569957
Jazz / Afro-Cuban Jazz / Bop / Bossa Nova / Trumpet

This edition presents, for the first time ever on CD, Dizzy Gillespie's complete performance at the 1961 Monterey Jazz Festival. While humorously introduced by Diz as “A Musical Safari”, the set is a mixture of the repertoire the quintet was playing during that period, including an excursion into the realm of bossa nova. The quintet features the wonderful Leo Wright and Argentinean pianist Lalo Schifrin, as well as singer Joe Carroll on one track.
Dizzy Gillespie, Sonny Stitt, Sonny Rollins - Sonny Side Up (1957) {Verve 825 674-2}

Dizzy Gillespie, Sonny Stitt, Sonny Rollins - Sonny Side Up (1957) {Verve 825 674-2}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 196 Mb | MP3 @320 -> 90 Mb
Full Artwork @ 300 dpi (png) -> 20 Mb | 5% repair rar
© 1957 Verve Records | 825 674-2
Jazz / Bop / Saxophone / Trumpet

Dizzy Gillespie brings together tenor saxophonists Sonny Stitt and Sonny Rollins for four extended cuts, and in the process comes up with one of the most exciting "jam session" records in the jazz catalog. While the rhythm section of pianist Ray Bryant, bassist Tommy Bryant, and drummer Charlie Persip provides solid rhythmic support, Stitt and Rollins get down to business trading fours and reeling off solo fireworks. Apparently, Gillespie had stoked the competitive fires before the session with phone calls and some gossip, the fallout of which becomes palpable as the album progresses.
Dizzie Gillespie - Perceptions (1961) {Verve Elite Edition 314 537 748-2 rel 1997}

Dizzie Gillespie - Perceptions (1961) {Verve Elite Edition 314 537 748-2 rel 1997}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 203 Mb | MP3 @320 -> 80 Mb
Full Artwork @ 300 dpi (jpg) -> 39 Mb | 5% repair rar
© 1961, 1997 Verve / PolyGram | Verve Elite Edition | 314 537 748-2
Jazz / Large Jazz Orchestra / Modern Arrangement / Trumpet

This unusual session consists of a complex six-movement suite by J.J. Johnson featuring Dizzy Gillespie's trumpet over a brass choir (six trumpets, two trombones, two bass trombones, four French horns and two tubas), bass, drums, percussion and two harps. Often reminiscent of classical music, Johnson's writing allows plenty of room for Gillespie to improvise. The result is a rather unique set of music that is well worth searching for.