Johann Georg Lickl, also Ligkl, Hans-Georg Lickl, Hungarian: Lickl György (11 April 1769 – 12 May 1843) was an Austrian composer, organist, Kapellmeister in the main church of Pécs, and piano teacher. He wrote operas, one wind quintet, three string quartets, and served as a Kapellmeister at several churches. From 1807 until his death he was choirmaster at what is now Pécs. A large portion of his output is sacred music, including masses and requiems…
It would be difficult to imagine a finer account of this extraordinary work than that of the Melos Quartet and their distinguished guest. The flow of the music is magnificently sustained, its colour and inner life marvellously felt. There is a spontaneity to the playing that perfectly complements the profound whimsicality of Schubert's journeys to remote tonal regions, along with a sensitivity ideally suited to the meditative quality of the composer's lyricism. The recording is warm and spacious, richly nuanced, and admirably balanced.
As a musician, as a man of ideals, and as a true world citizen, Yehudi Menuhin made an extraordinary mark on his era. The Menuhin Century commemorates the 100th anniversary of his birth on 22 April 1916.
The highly anticipated new recording from the Gramophone Recording of the Year winners in 2011. Two years on from their award winning Dvorak album, the Pavel Haas Quartet turn their attention to Schubert’s two late masterpiece. The String Quartet in D minor has a sort of dark cipher encoded within. The title “Death and the Maiden” reflects the quotation from Schubert’s eponymous song in the second movement. The theme of death is also underlined by other quotations and the choice of the key of D minor, which according to the period definition is characterised by “heavy-hearted womanliness, spleen and foreboding”.
Jascha Heifetz was a Lithuanian-born American violinist. He was born in Vilnius. As a teen, he moved with his family to the United States, where his Carnegie Hall debut was rapturously received. He had a long and successful performing and recording career; after an injury to his right (bowing) arm, he focused on teaching. The New York Times called him "perhaps the greatest violinist of all time."