2007 release of a mammoth box set of 50 CD's with key recordings from the Angel/EMI Music classical catalog. Performers include Yehudi Menuhin, Jean-Pierre Rampal, Quatuor Hongrois, Heutling Quartet, Erich Leinsdorf, Jean-Philippe Collard & Augustin Dumay & Frdric Lodon, Christian Zacharias, Paolo Bordoni, Wolfgang Sawallisch, Geoffrey Parsons, Lucia Popp, Barbara Hendricks, Radu Lupu and many more.
"…It goes without saying that both protagonists here have more than the requisite technical fire power to cope with the demands - fortunately they use it with taste and restraint so that it never threatens to transform itself into a performance of proto-Brahms.The sound as well is of the same high standard as the playing and in every possible way, this issue cannot be faulted. Highly recommended and this listener is eagerly awaiting volume 2!" ~sa-cd.net
Franz Peter Schubert (January 31, 1797 – November 19, 1828) was an Austrian composer.
Although he died at an early age, Schubert was tremendously prolific. He wrote some 600 Lieder, nine symphonies (including the famous "Unfinished Symphony"), liturgical music, operas, some incidental music, and a large body of chamber and solo piano music. Appreciation of his music during his lifetime was limited, but interest in Schubert's work increased dramatically in the decades following his death at the age of 31. Franz Liszt, Robert Schumann, Johannes Brahms and Felix Mendelssohn, among others, discovered and championed his works in the 19th Century. Today, Schubert is admired as one of the leading exponents of the early Romantic era in music and he remains one of the most frequently performed composers.
A very sensitive pianist, whose specialty is the romantic note. You can not just optically see how she lives the sounds”, writes Wilhelm Sinkovic in the "Presse” about the young pianist Ingrid Marsoner from Graz. These, recently published Ö1-CD records of the Studio Styria prove this critic-comment is not to be seen as exaggerated.
In nearly every respect this is outstanding. The Rondo brillant and the Fantasie, both written for the virtuoso duo of Karl von Bocklet and Josef Slawik, can sound as if Schubert were striving for a brilliant, flashy style, foreign to his nature. Both are in places uncomfortable to play (when first published, the Fantasie’s violin part was simplified), but you would never guess this from Faust’s and Melnikov’s performance; they both nonchalantly toss off any problem passages as though child’s play. The Fantasie’s finale and the Rondo brillant are irresistibly lively and spirited, and this duo’s technical finesse extends to more poetic episodes – Melnikov’s tremolo at the start of the Fantasie shimmers delicately, while the filigree passagework in the last of the variations that form the Fantasie’s centrepiece have a delightful poise and sense of ease.