Schumann Kindertotenlieder

Jennifer Pike, Tom Poster - Johannes Brahms, Robert Schumann: Violin Sonatas, Clara Schumann: Three Romances (2013) (Repost)

Jennifer Pike, Tom Poster - Johannes Brahms, Robert Schumann: Violin Sonatas, Clara Schumann: Three Romances (2013)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 54:22 | 223 MB
Genre: Classical | Label: Chandos Records | Catalog: CHAN 10762

Jennifer Pike, who won the BBC Young Musician of the Year competition at the tender age of 12, appears to have survived the perils of prodigyhood and entered her early twenties with musical intelligence intact. Here she offers a terrific program of music from the middle of the 19th century; all of it is abstract, but it brings vividly to mind the crucial trio of creative figures who met in the early 1850s: the ailing Robert Schumann, his musically frustrated wife Clara, and the young Johannes Brahms, mooning over the latter.
Takacs Quartet, Marc-Andre Hamelin - Robert Schumann: String Quartet, Op. 41, No. 3; Piano Quintet, Op. 44 (2009)

Robert Schumann - String Quartet in A major; Piano Quintet in E flat major (2009)
Takács String Quartet; Marc-André Hamelin, piano

XLD | FLAC | Tracks (Cue&Log) ~ 234 Mb (incl 5%) | Mp3 (CBR320) ~ 140 Mb (incl 5%) | Scans included
Genre: Classical | Label: Hyperion | # CDA67631 | Time: 00:56:33

The peerless Takacs Quartet recently nominated for a Gramophone award for their second disc of Brahms's string quartets, continue their exploration of the Romantic chamber music tradition with this disc of Schumann. The Piano Quintet is by far Schumann's most popular chamber work and one of the most beloved works in the genre. Schumann was the first romantic composer to pair the piano with the string quartet. Schumann studied the string quartets of Beethoven, Mozart and Haydn and his quartet Op. 41 No. 3 demonstrates these influences. However, it contains many highly original strokes, particularly the casting of the scherzo as a set of variations. The Takacs Quartet are joined by Marc-Andre Hamelin in an invigorating partnership that has already been widely acclaimed on the concert platform.
London Symphony Orchestra & Sir Simon Rattle - Schumann: Das Paradies und die Peri (2015) [TR24][OF]

London Symphony Orchestra & Sir Simon Rattle - Schumann: Das Paradies und die Peri
Classical | FLAC (tracks) 24-bit/96 kHz | 87:50 min | 1.62 GB | Digital booklet
Label: LSO Live | Tracks: 26 | 2015

In his debut recording on LSO Live, Sir Simon Rattle conducts a stunning performance of Schumanns rarely recorded Das Paradies und die Peri featuring a superb line-up of soloists. Rattle is well-known for being a champion of this rarely-heard work, and yet this is the first audio recording he has made of it. Here it is brought to life by the LSO under his baton, and the starry line-up makes the best possible case for Schumanns great oratorio. Sir Simon Rattle says of the piece, Its the great masterpiece youve never heard, and there arent many of those now.
Thomas Quasthoff, Håkan Hagegård - Mahler: Lieder eines fahrenden Gesellen, Kindertotenlieder, Des Knaben Wunderhorn (2008)

Thomas Quasthoff, Håkan Hagegård, Gary Bertini - Mahler: Lieder eines fahrenden Gesellen, Kindertotenlieder, Des Knaben Wunderhorn (2008)
EAC | FLAC (image+.cue, log) | Covers Included | 64:40 | 321 MB
Genre: Classical, Vocal | Label: Phoenix Edition | Catalog: 105PHOENIX

This is a reissue of Mahler performances delivered in Cologne in 1992 and 1993, and Thomas Quasthoff, just on the verge of international fame, was in phenomenal voice. The upper extension of his beautiful, expressive bass-baritone is thrilling, in perfect control. Artistically, he only grew stronger, as evidenced by his searing reading of 'Lieder eines fahrenden Gesellen' under Boulez (DG), but this earlier interpretation comes close, and there's no comparison so far as vocalism is concerned. The WDR orchestra plays well under the rather prosaic leadership of the late Gary Bertini (a native Russian who emigrated to Palestine as a child in the 1930s)– both are good enough, and the recorded sound is excellent. In all, this is a shattering reading by Quasthoff that should be heard by every lover of Mahler.

Murray, Martineau - Brahms, Schumann: Lieder (2015)  Music

Posted by peotuvave at July 27, 2016
Murray, Martineau - Brahms, Schumann: Lieder (2015)

Murray, Martineau - Brahms, Schumann: Lieder (2015)
EAC Rip | Flac (Tracks + cue + log) | 217 MB | MP3 320Kbps CBR | 160 MB | 1 CD | Full Scans
Genre: Classical | Label: Linn Records | Catalog Number: 443

Brahms & Schumann: Lieder sees Dame Ann Murray, one of the great vocal artists of the past decades, return to the recording studio to perform a personal selection of Lieder. Brahms & Schumann: Lieder, Ann’s first solo album in over a decade, will be her final Lieder recording and a fitting way to draw her long and distinguished recording career to a close.
Claudio Arrau, RCO, Christoph von Dohnanyi - Edvard Grieg & Robert Schumann: Piano Concertos (1989) [Repost, New Rip]

Edvard Grieg & Robert Schumann: Piano Concertos (1989)
Claudio Arrau, piano; Royal Concertgebouw Orchestra, Amsterdam; Christoph von Dohnányi

EAC | FLAC | Tracks (Cue&Log) ~ 320 Mb (incl 5%) | Mp3 (CBR320) ~ 182 Mb (incl 5%) | Scans included
Genre: Classical | Label: Philips | # 426 079-2 | Time: 01:06:55

Claudio Arrau recorded these concertos twice for Philips, the present performances in 1963, and then again in 1980 with Colin Davis and the Boston Symphony. There's very little to choose between them. Tempos are almost identical, and contrary to what one might expect, the slow movement of the Schumann concerto is actually a bit faster in the later version. Arrau's way with the music is wholly characteristic of the man: serious, even reverential (at the beginning of the Schumann), and played with drop-dead gorgeous tone. The result enhances the stature of both works, but the Grieg in particular. The climax of the finale has an epic grandeur without a hint of bombast that you simply won't find in any other performance. Dohnányi's accompaniments are also distinguished: he lets Arrau lead but isn't afraid to permit the orchestra to assert itself where necessary; and of course the playing of the Concertgebouw is top-notch. If you haven't heard Arrau in this music, it really doesn't matter which of his recordings you wind up with, but do try to get at least one of them.
Mahler: Symphony No. 10 (Adagio) & Kindertotenlieder - Bernstein (2007) [2.0 & 5.1] PS3 ISO & FLAC

Mahler: Symphony No. 10 (Adagio) & Kindertotenlieder - Bernstein (2007) [2.0 & 5.1] PS3 ISO & FLAC
PS3 Rip | SACD ISO | DSD64 2.0 & 5.1 > 1-bit/2.8224 MHz | 55:312minutes | 4,08 GB
FLAC 2.0 Stereo (PS3 ISO extract / Weiss Saracon conversion) 24bit/88.2 kHz | 1.1 GB
Japan Import | Year: 1974/5, 2007 | 5% Recovery Info

One can hardly believe the SACD sound Sony has achieved here, trumping even the "Carnegie Hall Presents" remaster! It is almost unbelievable that the original sound we were able to hear back in the 60s and 70s has been so revived from those original recordings in New York's CBS Studios and Tel Aviv.
Sviatoslav Richter - Music Festival 'December Nights', Moscow 1985: Schumann, Schubert, Chopin (2014) 2 CDs

Music Festival 'December Nights', Moscow 1985: Schumann, Schubert, Chopin (2014) 2 CDs
Sviatoslav Richter, piano; Anatoly Kamyshev, clarinet; Oleg Kagan, violin;
Natalia Gutman, cello; Yuri Bashmet, viola

EAC | FLAC | Image (Cue&Log) ~ 646 Mb (incl 5%) | Mp3 (CBR320) ~ 365 Mb (incl 5%) | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 02204 | Time: 02:29:03

Firma Melodiya continues the series of compact discs dedicated to December Evenings Festival that takes place at the Pushkin State Museum of Fine Arts. This album, like the previous one, is dedicated to the 1985 festival World of Romanticism and includes recordings featuring Sviatoslav Richter. The atmosphere of December Evenings, an event initiated by the great pianist, differed from usual philharmonic concerts. The spirit of music as an inseparable part of "fusion of arts" the romanticists dreamt of was invisibly felt in each number; a sensitive listener can catch it in these, perhaps technically imperfect, concert recordings from thirty years ago. The works by Schubert, Schumann and Chopin were performed by Sviatoslav Richter in ensemble with his outstanding contemporaries, violinist and David Oistrakh's student Oleg Kogan who passed away prematurely, violist Yuri Bashmet, cellist Natalia Gutman and clarinettist Anatoly Kamyshov.
Paul Lewis - Modest Mussorgsky: Pictures at an Exhibition; Robert Schumann: Fantasie, Op.17 (2015)

Paul Lewis - Mussorgsky: Pictures at an Exhibition; Schumann: Fantasie, Op.17 (2015)
EAC | FLAC | Image (Cue&Log) ~ 224 Mb (incl 5%) | Mp3 (CBR320) ~ 158 Mb (incl 5%) | Scans included
Genre: Classical | Label: Harmonia Mundi | # Harmonia Mundi | Time: 01:04:41

On this recording, Paul Lewis performs two major works of the keyboard repertoire. Decidedly programmatic, Mussorgsky's Pictures at an Exhibition is more commonly heard today in Ravel's orchestral version. However, the original for solo piano is both a technical tour-de-force and a brilliant example of the composer's coloristic gifts. The pairing is Schumann's Fantaisie Op.17, a work whose movements originally had evocative titles (Ruin, Triumphal Arch, Constellation). The 'program' was removed before publication, but the 'pictures' Schumann intended listeners to imagine remain.
Mark Padmore, Kristian Bezuidenhout - Robert Schumann: Dichterliebe, Liederkreis; Franz Lachner: Five songs (2010)

Robert Schumann - Dichterliebe; Liederkreis; Franz Lachner - Five songs from Sängerfahrt (2010)
Mark Padmore, tenor; Kristian Bezuidenhout, fortepiano

EAC | FLAC | Image (Cue&Log) ~ 236 Mb (incl 5%) | Scans included | Time: 01:08:51
Genre: Classical | Label: Harmonia Mundi USA | # HMU907521

Mark Padmore and fortepianist Kristian Bezuidenhout combine here to perform two of Schumann’s major cycles to words by Heine. They also throw in a selection of five Heine settings by the largely forgotten Franz Lachner (1803-90) from his Sängerfahrt (Singer’s Journey), which include the same text – ‘Im wunderschönen Monat Mai’ – with which Schumann’s Dichterliebe begins.