I Level was a short-term U.K. band consisting of Duncan Bridgeman, Jo Dworniak, and Sam Jones. Bridgeman and Dworniak -- both from Essex, England -- met through a classified ad in Melody Maker
A 2-CD deluxe rendering of the group's first pop #1 LP, inspired by the album's 50th anniversary last year. Outtakes and rare mixes, including a newly created duet with the Four Tops, have been added to the album's original mono and stereo versions, now remastered for the first time in decades, to create a unique package deserving of the Supremes legendary status. Comes with two 24-pages booklets with extensive liner notes and never-before-seen photos.
4-CD box set features early European 'beat music' as presented at Hamburg's world famous Star Club in the early 1960s, including Bobby Patrick Big Six, The Giants, Phantom Bros., Four Renders, Road Runners, Broom Town Band, German Bonds, Team Beats & others…
Sanctuary's mammoth triple-disc Pentangle overview poses a bit of a dilemma. First of all, it's called Pentangling, which is already the name of a 1973 compilation, and secondly, while not deliberately misleading, it focuses more attention on the solo careers of John Renbourn and Bert Jansch than it does on the entity that supplies the collection's title. Despite these petty gripes, Pentangling is filled to the brim with some of the finest recordings the British folk movement had to offer, and hearing the group as a whole, followed by an entire disc – one apiece – of two of the genre's most gifted guitarists, is rewarding in more ways than one: both men, as well as the band, released material well into the 21st century, but Pentangling focuses only on their treasured late-'60s/early-'70s output. Listeners looking for a more comprehensive take on Pentangle would be better off with Castle's excellent Light Flight: The Anthology, and Renbourn and Jansch both have lovingly packaged retrospectives that fare better than the ones offered here, but as far as entry points go, Pentangling does more than skim the surface.
Kelly Chen is a Chinese Cantopop singer and actress from Hong Kong. She has been referred to as a "diva of Asia"
This 37-track, two-disc set is the most comprehensive compilation of John Renbourn's recording career to date. In one sense, Renbourn can be defined as a traditional British folk guitarist, but within that category, he has managed a wide variety of different recording projects over 40 years. There are the solo guitar albums, of course, but then there are also duo albums with Bert Jansch and Stefan Grossman; Renbourn's major group affiliation with Pentangle; his own band projects, the John Renbourn Group and John Renbourn's Ship of Fools, and even prominent work as a sideman for other artists.
2016 three CD collection. As that noted hipster Plato once observed, when the mode of the music changes, the walls of the city shake. And there was certainly a whole lotta shakin' goin' on in 1967. A distended Summer of Love saw psychedelic pop emerging from the underground clubs to infiltrate the home-grown music scene mainstream, with the vast majority following in the footsteps of perennial market leaders The Beatles in surrendering to the new genre. As the year progressed, it seemed that more or less every element of the British pop world had been swept up in the blissed-out UFOria. Beat boom survivors, R&B stalwarts, sharp-suited mods, Swinging London soul revues, earnest acoustic folkies, Denmark Street hustlers, traditional pop acts… all abandoned or refined their previous identities to make music that reflected the ubiquitous influence of psychedelia in it's myriad paisley-patterned guises. Across four hours and eighty tracks, the all-singing, not-much-dancing Let's Go Down And Blow Our Minds anticipates the 50th anniversary of the Summer of Love to chronicle a tumultuous twelve-month period of music-making within the British Isles.