The first release of the first stereo recording of the work, the historical importance of this set of Wagner's Siegfried is undeniable. Recorded by Decca at the 1955 Bayreuth Festival, this performance directed by Joseph Keilberth was to have been issued as part of the first complete Ring cycle. But persuaded that only a studio recording could do the work justice, Decca decided to shelve Keilberth's performance, a decision that led to Georg Solti recording Siegfried with the Vienna Philharmonic and ultimately to the release of a Ring cycle that many still regard as the finest ever recorded. But aside from its inherent historical value, what's its aesthetic value? While much better than average, Keilberth's Siegfried doesn't challenge the established order.
This 67-minute, orchestra-only version of Wagner’s famous opera cycle, Der Ring des Nibelungen is arranged by Henk de Vlieger, arranger, composer & percussionist in the Netherlands Radio Philharmonic. The work was commissioned by the orchestra & the result is a 14-section fiery musical spectacle entitled The Ring, an orchestral adventure.
Volker von Alzey, the royal bard of the Burgunds (far greater then modern Burgundy), ruled by the Christian, papist king Gunther, who has two brave, loyal brothers and a sister Kriemhild, tells in rhyme the tale of Siegfried of Xanthen, who in the northern kingdom of the Lowlands was a forgery apprentice, till his jealous rival's attack made him drench his blade in blood, which made it all-splitting, the right means to slay the feared-most dragon, Rachnir, whose blood makes him, once bathed in it, invulnerable.
In days of yore, Siegfried (LANCE BOYLE), a bold and handsome young knight with magical powers, battles villains and fire breathing dragons, all for king, country, and the love of a fair maiden.