Learn foundational beginner blues slide guitar licks. The vocal-like, expressive qualities of slide guitar is why so many blues masters have dedicated the time to learn the technique and build a vocabulary of tasty slide licks to spice their music with.
Eric Clapton calls him "the most underestimated musician on the planet and also one of the most advanced.” John Hiatt, Junior Wells, John Mayall, Irma Thomas, Clarence Gatemouth Brown, Kenny Loggins, Mark Knopfler, Eric Johnson, Robben Ford, Vince Gill, Bonnie Raitt and hundreds of other world-class artists who have had the privilege to make music with him would emphatically agree. Sonny Landreth’s slide guitar prowess is supernatural.
Features 24 bit digital remastering. Comes with a description. A firey stormer from the great Slide Hampton! The album's one of his few early sides for Atlantic – and like the others, it's a groundbreaking batch of larger group material, with slide out front on trombone, and the rest of the ensemble vamping along like a tight Blue Note combo. Players are excellent – and include George Coleman on tenor, Horace Parlan on piano, Hobart Dotson on trumpet, and Ray Barretto on drums – and Slide makes them come together so tightly, you'd think they were working together every night of the week! Titles include "The Barbarians", "Strollin", "The Jazz Twist", "Red Top", "Slide Slid", and "Day In Day Out".
Trombonist Slide Hampton's writing ability has long overshadowed his skills as a player. This CD reissue sets the record straight by putting the focus on Hampton's boppish and consistently creative trombone. The first three selections (a couple of originals and J.J. Johnson's "Lament") showcase Hampton really stretching out with a quartet also including pianist Martial Solal, bassist Henri Texler and drummer Daniel Humair.
Features 24 bit remastering and comes with a mini-description. Somethin' Sanctified is an album by American jazz trombonist, composer and arranger Slide Hampton which was released on the Atlantic label in 1961. In 1959, trombonist Slide Hampton was known mainly for the excellent arrangements he did for the Maynard Ferguson Band, so it was no surprise that he formed his octet band and began making a serious bid for recognition as a top jazz artist and arranger, recording his first album for the small label Strand. His impact was immediate and in 1960 Slide signed for Atlantic resulting in two studio albums, Sister Salvation and Somethin Sanctified, which were the octets first for the label.
Lawrence Brown played trombone off and on with Duke Ellington's orchestra for nearly 40 years. Surprisingly, he only led two albums of his own in his entire career, a set for Impulse in 1965, and this album for Clef (now Verve). Heard either as part of a quintet with tenor saxophonist Sam "The Man" Taylor or with a nonet that includes tenor saxophonist Al Cohn and pianist Hank Jones, Brown is in excellent form on the reissue. The music (not too shockingly) often sounds as if it were an Ellington small group, including such numbers as Brown's longtime feature "Rose of the Rio Grande," "Caravan," "You Took Advantage of Me," and "Blues for Duke." The original LP program is joined by two previously unreleased performances ("Time After Time" and "For All We Know"). Excellent mainstream swing of the 1950s.