Having made a gradual switch during the 15 years since his first album was published from electronica to instrumental variations on ambient and minimalism, Max Richter is among the most commercially successful composers of our time. This album of his solo piano music belongs in the genre explored so thoroughly for Brilliant Classics by Jeroen van Veen, whose prolific recording history includes hugely popular albums of Philip Glass (BC9419) and Michael Nyman (BC95112), Ludovico Einaudi (BC94910) and Yann Tiersen (BC95129) and his fellow Dutch musician Jakob ter Veldhuis (BC94873) and himself (BC9454). The appetite for slowly moving, unchallenging, post-Minimalist music is apparently infinite, and so this new album is sure to be a success.
Bojan Gorišek is the leading Slovenian pianist in the field of contemporary music, perhaps best known for recording the complete piano opus (10 CDs) of Erik Satie for the Blaricum Music Group of the Netherlands and the English label LTM Recordings. Those recordings, rated among the best ever made, represent the most complete review of Satie’s piano compositions to date. He has recorded over 30 CDs to date, including four CDs by George Crumb, the piano sonata Concord by Charles Ives and two CDs by Philip Glass for the Blaricum Music Group (Audiophile Classics series). He has also recorded the complete piano opuses of a number of Slovenian composers. Most recently, he has received high regard for his interpretations of Arvo Pärt and Philip Glass.
In The 23 Greatest Solo Piano Works, Great Courses favorite Professor Robert Greenberg of San Francisco Performances returns with an in-depth exploration of the solo piano works he considers to be among the most exceptional landmarks in the literature. The 23 works you’ll study represent the selections of an internationally respected composer and music historian, carefully chosen to highlight the most significant compositional and pianistic achievements in the solo piano repertoire.
Music for the sound design of films, trailers, cartoons, video games, TV shows, radio programs, presentation videos, video installations and advertisement. Also, to arrange music and song. Each music track has several variations with different duration of play.
Mr Riesman’s solo piano transcription of The Hours score proved so successful that Orange Mountain Music was inspired to approach Riesman again to make an arrangement of Glass’ haunting score to Todd Browning’s 1931 classic Dracula which starred Bela Lugosi.
A unique complete collection released for the first time in Los Angeles, California, the Hamazkayin Music Committee is proud to present the works of Aram Khachaturian who was the first composer to place Armenian music on the international podium. By blending his individual creativity with distinctive features common to West European art forms, the style of medieval monophony, Armenian folkloric traditions, the art of ashughs, and the purism of artistic expression of the great Komitas, Khachaturian created a new aesthetic dimension in the art of music…
Barry Douglas’s decision in his Brahms series to mix and match pieces intuitively, rather than employing a strict sequence of genre or chronology, has given this series a pleasing personal slant, and Vol. 5 is no exception. Building the programme around three very different sets of variations, Douglas intersperses the more substantial works with palate-cleansing intermezzos, two little-known early Sarabandes – apparent fugitives from an unfinished Baroque-inspired suite or two – and one of Brahms’s not-so-jokey scherzos, the rugged Op. 4. Indeed, if you like your Brahms super-rugged, this CD will not disappoint. Douglas’s powerful tone and serious demeanour captures the composer’s uncompromising side; yet there’s a sense of flow that makes the intermezzos generous and warm without veering towards the emotionally indulgent. The Variations on a Hungarian Song and the Hungarian Dances are served on the bone with sour cream aplenty.