Following two patchier albums filled with cheery East End tales, Argy Bargy (1980), emerged as their crowning achievement. Now reissued along with some of the band's later efforts, it remains a masterpiece of kitchen sink pop, possibly second only to the follow up, East Side Story. Chris Difford, and Glenn Tilbrook, the band's Lennon and McCartney had already proven themselves adept at gritty, witty tableaus like Up The Junction or Slap And Tickle. Added to this was their technical sheen. There's Tilbrook's underrated ability to pull tasty (and apt) solos out of the hat like a younger George Harrison - the solo at 1.46 on Pulling Mussels (From The Shell) is one of the best - and also one of the best drummers in the business in Gilson Lavis. All this briefly made Squeeze world-beaters.
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
This compilation (The Piccadilly Collection) is an updated release of classic Squeeze tunes, containing many of the favorites from Singles, 45s and Under (Pulling Mussels, Tempted), as well as newer material from the 1990s (Everything in the World, Some Fantastic Place). It includes a few other noteworthy songs (Hourglass, Love's Crashing Waves) that are worth having, as they are of the same quality as the material from "Singles". In addition, there are a few interesting tunes (Spanish Guitar, Elephant Girl) that are positive additions and are relatively unknown. This is a good compilation to buy if you need a Squeeze CD that covers the highlights but also adds some newer material.
By 1980, after releasing three albums in three years, Squeeze had exhibited everything you’d want to see in a promising band. "Argybargy" exceeds its predecessor, "Cool For Cats", just as "Cats" had exceeded their debut...
An above-average soundtrack to a mediocre film, this dance-oriented album hits more than it misses. The title track by David Bowie is fluff by his standards, but as it's produced by Nile Rodgers (a year before their collaboration on Black Tie White Noise), it's danceable fluff. Further in, the album samples the beginnings of the '90s techno revolution, with excellent tracks from Future Sound of London ("Papua New Guinea"), Moby ("Next Is the E"), Ministry's Bush-era primal scream "N.W.O.," and Mindless's "Mindless." Brian Eno's exclusive track "Under" is one of his best from the '90s.