The reasons for Holst’s relative neglect, beyond The Planets and the Band Suites, aren’t hard to fathom. He wrote no large works in conventional forms, and never repeated himself. Even the Choral Symphony on poetry by Keats, here in its finest recorded performance to date (by Boult), owes very little to precedent–Mahler’s Eighth and Elgar’s The Black Knight, perhaps–and in any case features Holst’s personal combination of “spacey” orchestral color and rhythmic complexity (sample below). The music is both personal, technically virtuosic, and however beautiful somewhat cool emotionally. There is nothing else quite like it in the early 20th century.
Fifty years, 11 CDs, 11 Doctors and 389 tracks. This is the release that Doctor Who fans worldwide have been waiting for, assembled after years of research and trawls through dusty archives and libraries. It's a comprehensive overview of the very special music that has accompanied the Doctor over his travels through time and space from William Hartnell in 1963 to present day Matt Smith. From Ron Grainer's iconic theme realised by the BBC Radiophonic Workshop's Delia Derbyshire to Murray Gold's orchestral tapestries, this is a musical saga of monumental proportions. The esteemed collection of composers featured include Tristram Cary, Brian Hodgson, Wilfred Josephs, Dudley Simpson, Geoffrey Burgon, Paddy Kingsland, Roger Limb, Malcolm Clarke, Keff McCulloch, Dominic Glynn, John Debney and many more. The lavish 32 page booklet with the set includes liner notes from Doctor Who composer Mark Ayres on the history of music in the series and details of the episodes.
You don’t learn how to play the blues from a book — there’s no book smart with the blues. You have to be street smart to play the blues and there’s only two ways to do that — play out 250+ night a year for 10 years, or study with someone who’s been there, done that, and can teach as well as they can play. We can’t help you with the gigs, but we can put you in very capable hands for the latter — Kelly Richey.