Stabat Mater Vivaldi

Pergolesi- Stabat Mater; Vivaldi- Gloria in D major, RV 589; Scarlatti- Messa di Santa Cecilia [2001]

Pergolesi- Stabat Mater; Vivaldi- Gloria in D major, RV 589; Scarlatti- Messa di Santa Cecilia
(Timothy Brown; Pieter Jan Leusink; Maurice de Abravanel) [2001]

EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 569 MB
Classical | Label: Brilliant Classics | Catalog Number: 99289 | TT: CD1`63:50, CD2`54:07

This release is dedicated to some of the most famous settings of the Stabat mater, revealing the genre's varying treatment by composers over the centuries. From Palestrina's effective use of polyphony to Pergolesi's unusually sparse instrumental accompaniment, we move forward in time to contributions by Vivaldi and Haydn. These compositions rank among some of the most famous and affective music ever composed.

Tiziano Scarpa - Stabat Mater  eBooks & eLearning

Posted by Anthias_31 at May 19, 2015
Tiziano Scarpa - Stabat Mater

Tiziano Scarpa - Stabat Mater
Einaudi | 2008 | ISBN: 8806171240 | 144 pages | EPUB | 1 MB

Premio Strega 2009 - È notte, l'orfanotrofio è immerso nel sonno. Tutte le ragazze dormono, tranne una. Si chiama Cecilia, ha sedici anni. Suona il violino in chiesa, dietro la fitta grata che impedisce ai fedeli di vedere il volto delle giovani musiciste. Passa la vita all'Ospedale della Pietà di Venezia, dove le giovani orfane scoprono le sconfinate possibilità dell'arte eppure vivono rinchiuse, strette entro i limiti del decoro e della rigida suddivisione dei ruoli. Ma un giorno le cose cominciano a cambiare, prima impercettibilmente, poi con forza sempre più incontenibile, quando arriva un nuovo compositore e insegnante di violino. È un giovane sacerdote, ha il naso grosso e i capelli colore del rame. Si chiama Antonio Vivaldi. Grazie al rapporto conflittuale con la sua musica, Cecilia troverà una sua strada nella vita, compiendo un gesto inaspettato di autonomia e insubordinazione.
Antonio Vivaldi - Stabat Mater (Andreas Scholl & David Daniels)

Antonio Vivaldi - Stabat Mater (Andreas Scholl & David Daniels)
Classical | EAC Rip | FLAC, IMG+CUE, LOG | Scans | 2cd, 484.22 MB

Stabat Mater is a 13th-century Roman Catholic hymn to Mary. It has been variously attributed to the Franciscan Jacopone da Todi and to Innocent III. There are two Stabat Mater hymns, one the Stabat Mater Dolorosa is about the Sorrows of Mary, the other, Stabat Mater Speciosa joyfully refers to the Nativity of Jesus. The title of the sorrowful hymn is an incipit of the first line, Stabat mater dolorosa ("The sorrowful mother stood"). The joyful hymn refers to "The beautiful mother stood". The Dolorosa hymn, one of the most powerful and immediate of extant medieval poems, meditates on the suffering of Mary, Jesus Christ's mother, during his crucifixion. It is sung at the liturgy on the memorial of Our Lady of Sorrows…
A.Vivaldi - Stabat Mater, Salve Regina, Concerto pour viole, Nisi Dominus - Philippe Pierlot

A.Vivaldi - Stabat Mater, Salve Regina, Concerto pour viole, Nisi Dominus
CD | APE + CUE + EAC LOG | Cover + Booklet | 308.6Mb | 70:35 | MIRARE Austria | 2004
Carlos Mena, Francois Fernandez, Ricercar Consort, dir. Philippe Pierlot

Antonio Vivaldi - Nisi Dominus - Stabat Mater  

Posted by Ignazio Favagrossa at Nov. 29, 2008
Antonio Vivaldi - Nisi Dominus - Stabat Mater

Antonio Vivaldi - Nisi Dominus - Stabat Mater
3/16/2008 | CD | individual FLACs | Covers | RARs 189Mb

"The latest Vivaldi recording on Naïve…focuses on sacred works: the Stabat Mater (RV 621) and Nisi Dominus (RV 608), both performed with potent expression by the fine period group Ensemble Matheus, led by Jean-Christophe Spinosi.
Vivaldi, also a priest, wrote the Nisi Dominus for the Ospedale Della Pietà in Venice, where he taught orphaned girls the violin. The countertenor Philippe Jaroussky wields his sweet-toned, radiant voice to emotive effect, displaying both a rapid-fire coloratura technique and a poignant, lyrical expressiveness, particularly haunting in “Cum dederit.”
In the more austere Stabat Mater, Marie-Nicole Lemieux sings with a gripping sense of drama, her darkly rich, agile contralto illuminating the text with anguish and passion.
The Ensemble Matheus plays with vigorous flair and sharply etched dynamic contrasts. Its crisp period approach sounds alternately fiery and gently warm, with dramatic explosions of color in “Surgite postquam” and almost inaudible whisperings at the beginning of “Cum dederit.”
The disc also includes a Crucifixus from a Credo attributed to Vivaldi (RV 592), a moving duet reminiscent of Pergolesi’s Stabat Mater."
– Vivien Schweitzer, New York Times

Antonio Vivaldi - Concertos Stabat Mater - Moscow Virtuosi  Music

Posted by seventoes at Jan. 10, 2007
Antonio Vivaldi - Concertos Stabat Mater -  Moscow Virtuosi

Antonio Vivaldi - Concertos Stabat Mater - Moscow Virtuosi
APE + CUE | 1990 | Classical | 45:01:63
Currende, Erik Van Nevel - Domenico Scarlatti: Stabat Mater; Joao Rodriguez Esteves: Missa A Oito Voces (1990) Reissue 2007

Domenico Scarlatti: Stabat Mater; João Rodriguez Esteves: Missa A Oito Voces (1990)
Vocal And Instrumental Ensemble 'Currende'; Erik Van Nevel, direction

EAC | FLAC | Tracks (Cue&Log) ~ 210 Mb (incl 5%) | Mp3 (CBR320) ~ 134 Mb (incl 5%) | Scans included
Genre: Classical, Choral, Sacred | Label: ACC Accent | # 10069 | Time: 00:47:10

As the old saying goes, "the third time's the charm." This is indeed the third time the German label Accent has issued this coupling of Domenico Scarlatti's Stabat Mater with João Rodrigues Esteves' Missa a oito voces. The first time was in 1990, when the recording by Currende under the leadership of Erik van Nevel was new, and the second in 1998 as part of a box set containing this and several recordings by Concerto Palatino. No complaints here, though, as this is one of the finest discs Accent has to offer.

Mariss Jansons - Dvorak: Stabat Mater (2015) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 7, 2017
Mariss Jansons - Dvorak: Stabat Mater (2015) [TR24][OF]

Mariss Jansons - Dvorak: Stabat Mater
Classical | FLAC (tracks) 24-bit/48 kHz | 77:51 min | 744 MB | Digital booklet
Label: BR Klassik | Tracks: 10 | 2015

Dvořák's haunting 'Stabat Mater' for solo voices, chorus and orchestra is not only the most famous work of church music by the Bohemian composer - it is also one of the most impressive ever settings of the medieval hymn in which Mary, the mother of Jesus, gives vivid expression to the pain she feels at the sight of her crucified son. The terrible misfortunes that befell the composer in his private life during the creation of this work may have been a reason for this.
Florilegium - Pergolesi: Stabat Mater (2010) [Official Digital Download 24bit/96kHz]

Florilegium - Pergolesi: Stabat Mater (2010)
FLAC tracks 24bit/96kHz | Digital Booklet | 1.49GB + 5% Recovery
Studio Master, Official Digital Download, Channel Classics

As a composer Pergolesi’s productive career began at the age of twenty, and by twenty-six (March 1736) he had died of tuberculosis. During his lifetime Pergolesi’s fame was restricted, in the main, to Rome and Naples, yet after his death, his reputation eclipsed most other composers in the second half of the eighteenth century. The whole of Europe developed an increasing curiosity for his compositions. His posthumous celebrity status was such a magnet in the music world that, hoping to reap large financial profits, publishers and opera directors alike attributed his name to hundreds of vocal and instrumental works by lesser-known composers. Following Pergolesi’s death the Stabat Mater became one of the most celebrated and frequently printed works of the 18th century.
Pergolesi - Stabat Mater; Violin Concerto B-dur; Salve Regina c-moll (Claudio Abbado, Mingardo, Harnisch,  Kleiter, Carmignola

Pergolesi – Stabat Mater; Violin Concerto B-dur; Salve Regina c-moll (Claudio Abbado, Sara Mingardo, Rachel Harnisch, Julia Kleiter, Giuliano Carmignola) [2009]
Classical | EAC Rip | FLAC, IMG+CUE, LOG | Archiv Produktion | Covers
Catalog Number: 477 8077 | 65:12 | 1cd, 299.18 MB

Giovanni Battista Pergolesi had a tragically short career, living just 26 years, and producing most of his mature works over a period of about five years. This album includes three of the composer's most representative pieces. The most familiar is the 40-minute Stabat mater for soprano, alto, and orchestra, which was the most frequently published composition of the 18th century. This version, featuring soprano Rachel Harnisch and contralto Sara Mingardo, makes a splendid introduction to the work and should be of interest to anyone who loves this poignant music. …
by Stephen Eddins