Neu illustriert von Peter Knorr »Starker Bär« - so wird Martin von seinen Freunden genannt. Doch sein Vater glaubt nicht wirklich an den Mut seines Sohnes. Als Vater und Sohn zu einer Bergtour aufbrechen, kann Martin zeigen, dass er seinen Ehrennamen zu Recht trägt.
Sich wieder leicht und frei bewegen - die Feldenkrais-Methode macht es möglich. In rund 70 Minuten lernen Sie von einer führenden Expertin, wie Sie gezielt Verspannungen im Rücken- und Hüftbereich lösen. …
Janos Starker was one of the 20th century's best cellists, known for his warmth and expression, as well as a thorough knowledge of the instrument. On these historic recordings, Starker delivers Bach’s six suites for solo cello and sonatas with technical expertise and authenticity. Accompanied by pianist György Sebök, this re-release is captured with the pristine sound associated with the Mercury Living Presence series.
Bernard Haitink conducts the Royal Concertgebouw Orchestra in Brahms's great orchestral works, including the complete symphonies. The concertos feature three great soloists: pianist Claudio Arrau, violinist Henryk Szeryng, and cellist János Starker.
In the age of Argerich, who brings tightrope-walker tension to chamber music, I doubt that anyone plays the Brahms piano trios with the kind of mellow lushness heard here. Katchen's conception of Brahms was large-scaled but smooth, warm without much psychological struggle. Suk was a honey-toned violinist, and although Starker was the modernist among the three, what's notable here is how perfectly in unison he is with Suk (and blissfully in tune). Decca puts the piano in the middle and the string players close up in their own channels left and right. The result is wide-screen and artificial, of course, since it makes the cello sound as loud as the piano. but the sonic effect is quite luscious.
I've saved my remarks about te interpretations for last. The Brahms trios have attracted great collaborations, and I wouldn't place this one above, say, Istomin-Stern-Rose although it runs ahead of the Beaux Art Trio, for sheer beauty of tone if nothing else. The shortcoming here is a tendency toward cautiousness; these are middle-of-the-road readings that don't capture Brahms' deepest passions. He is placed in the sun too often. But the first two trios aren't sturm and drang works. If you want large-scale performances caught in gorgeous sound, here you go.
–Amazon.com [4 stars] reviewer