Steven Wilson 4 2016

Steven Wilson - 4 ½ (2016)  Music

Posted by SERTiL at Jan. 17, 2016
Steven Wilson - 4 ½ (2016)

Steven Wilson - 4 ½
Progressive Rock | MP3 CBR 320 kbps | 37:07 min | 101 MB + 7% Recovery
Label: Kscope | Tracks: 06 | Rls.date: 2016

4 ½ comprises 6 tracks with a total running time of 37 minutes. 4 of the songs originated during the sessions for Hand. Cannot. Erase., and one from the recording sessions for the previous album The Raven that Refused to Sing. The final track is a version of Don’t Hate Me, a song originally recorded by Porcupine Tree in 1998, and is based on a live recording made on the recent tour of Europe with additional recording later done in the studio. The vocals on this new version are sung as a duet between Steven and Ninet Tayeb.

Steven Wilson - 4 1/2 (2016) [Blu-Ray Pure Audio + Hi-Res FLAC]  Vinyl & HR

Posted by HDV at March 2, 2016
Steven Wilson - 4 1/2 (2016) [Blu-Ray Pure Audio + Hi-Res FLAC]

Steven Wilson - 4 ½ (2016) [Blu-Ray Audio]
Blu-Ray Audio | LPCM 2.0 & 5.1 / DTS-MA 5.1 24bit/96kHz | ~ 12,2 GB
FLAC STEREO (tracks) 24 bit/96 kHz | Time - 77:37 minutes | 1,55 GB

Four time Grammy nominee, multi instrumentalist and producer, Steven Wilson follows up on his acclaimed 'Hand.Cannot.Erase'. with the new interim album '4 ½'. Produced and mixed by Steven Wilson, '4 ½' features a stellar group of musicians contributing to the LP including Adam Holzman (keyboards), Nick Beggs (bass), Guthrie Govan (guitar), Dave Kilminster (guitar), Marco Minnemann (drums), Chad Wackerman (drums), Craig Blundell (drums), and Theo Travis. This Blu-Ray Pure Audio edition includes high res stereo, a 5.1 mix of the album, plus 6 bonus instrumentals and alternative mixes including a 5.1 mix of the 2015 version of Lazarus.
Steven Wilson - 4 1/2 (2016) [Official Digital Download 24bit/96kHz]

Steven Wilson - 4 ½ (2016)
FLAC (tracks) 24 bit/96 kHz | Time - 37:11 minutes | 750 MB
Studio Master, Official Digital Download | Artwork: Front cover

Four time Grammy nominee, multi instrumentalist and producer, Steven Wilson follows up on his acclaimed 'Hand.Cannot.Erase'. with the new interim album '4 ½'. Produced and mixed by Steven Wilson, '4 ½' features a stellar group of musicians contributing to the LP including Adam Holzman (keyboards), Nick Beggs (bass), Guthrie Govan (guitar), Dave Kilminster (guitar), Marco Minnemann (drums), Chad Wackerman (drums), Craig Blundell (drums), and Theo Travis.
King Crimson - Three of a Perfect Pair: 40th Anniversary (Remixed by Steven Wilson) (1984/2016) [TR24] [DVDA]

King Crimson - Three of a Perfect Pair: 40th Anniversary (Remixed by Steven Wilson)
Progressive Rock | FLAC (tracks) 24/48 WAV (flac.ape.wv) 2.0, 5.1 | 189:12 min | 2.79 GB | Front Cover
Label: Inner Knot (KCSP 10) | Tracks: 41 | Rls.date: 1984/2016

Having released two albums in a nine month period between October 1981 and July 1982, “Three of a Perfect Pair” is the final part of the recorded trilogy begun with “Discipline” and “Beat”. Originally released in April 1984, from the pointillist minimalism of the title track through to the urgent rush of ‘Sleepless’ and the album’s closer ‘Larks’ Tongues in Aspic III’ - the only reference to the 1970s incarnations of the band – Crimson’s distinctive mixture of rock, electronica, funk and pure pop songs, ensured the group’s status as one of the most interesting and innovative bands of the decade.
King Crimson - Beat: 40th Anniversary (Remixed by Steven Wilson) (1982/2016) [TR24][DVDA]

King Crimson - Beat: 40th Anniversary (Remixed by Steven Wilson)
Progressive Rock | FLAC (tracks) 24/48 WAV (flac.ape.wv) 2.0, 5.1 | 171:10 min | 2.83 GB | Front Cover
Label: Inner Knot (KCSP 9) | Tracks: 36 | Rls.date: 1982/2016

Deluxe two disc (CD + NTSC/Region 0 DVD-A) edition. Beat is the 11th release in the acclaimed King Crimson 40th anniversary series. The classic album has been mixed for 5.1 Surround Sound from the original studio masters by Steven Wilson and is fully approved by Crimson founder Robert Fripp. The CD features a completely new stereo album mix by Robert Fripp and Steven Wilson plus a studio version of the otherwise unreleased track "Absent Lovers". The DVD-A features a 5.1 DTS Mix and High Resolution Stereo mixes.

Steven Wilson - Transience (2016)  Music

Posted by hill0 at Oct. 20, 2016
Steven Wilson - Transience (2016)

Steven Wilson - Transience (2016)
EAC Rip | FLAC (tracks & cue & log) | 373 MB | Artwork (JPG) | 29 MB | 1:07:28
Genre: Crossover Progressive Rock | Country: UK | Label: Kscope | KSCOPE411

Now available on CD for the first time, Transience features songs recorded between 2003-2015 and is a personally curated introduction to the more accessible side of Steven Wilson’s solo work.
No-Man - Flowermix (1995) {Hidden Art - hi-art 2} (Steven Wilson, Robert Fripp)

No-Man - Flowermix (1995) {Hidden Art - hi-art 2} (Steven Wilson, Robert Fripp)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 364 Mb | MP3 @320 -> 163 Mb
Full Artwork @ 300 dpi (jpg) -> 24 Mb | 5% repair rar
© 1995 Hidden Art | hi-art 2
Rock / Electronic / Art Rock / Experimental Rock / Alternative

Initially surfacing as a cassette in 1995, then reappearing later that year as a slightly revised and expanded CD, Flowermix, as the name indicates, consists mainly of remixes from the excellent Flowermouth album. Steve Wilson himself handles almost half the efforts, the rest given over to folks like David Kosten, later of Faultline; Os, aka Andrew Ostler, future partner of Tim Bowness in Darkroom; and Bowness himself. While some mixes concentrate on a dancefloor setting, others take a subtler approach or otherwise seem less concerned with raves as with their own internal logic.
Chicago - Chicago II (Steven Wilson Remix) (1970) {2017, Remastered, Remixed}

Chicago - Chicago II (Steven Wilson Remix) (1970) {2017, Remastered, Remixed}
EAC Rip | FLAC (Img) + Cue + Log ~ 412 Mb | MP3 CBR320 ~ 173 Mb
Scans Included (JPG, 600 dpi) | RAR 5% Recovery
Jazz Fusion, Jazz Rock, Soft Rock, Classic Rock | Rhino #081227941499

The Chicago Transit Authority recorded this double-barreled follow-up to their eponymously titled 1969 debut effort. The contents of Chicago II (1970) underscore the solid foundation of complex jazz changes with heavy electric rock & roll that the band so brazenly forged on the first set. The septet also continued its ability to blend the seemingly divergent musical styles into some of the best and most effective pop music of the era. One thing that had changed was the band's name, which was shortened to simply Chicago to avoid any potential litigious situations from the city of Chicago's transportation department – which claimed the name as proprietary property…

Chicago - Chicago II (Steven Wilson Remix) (1970/2017) [TR24][OF]  Vinyl & HR

Posted by SERTiL at Jan. 30, 2017
Chicago - Chicago II (Steven Wilson Remix) (1970/2017) [TR24][OF]

Chicago - Chicago II (Steven Wilson Remix)
Prog-Rock, Jazz Rock, Soft Rock | FLAC (tracks) 24-bit/96 kHz | 67:06 min | 1.35 GB | Front Cover
Label: Rhino | Tracks: 23 | Rls.date: 2017

"Remix: A release that primarily contains remixed material. Whether the remixes are done by the artist him-/her-/themselves or by others, is irrelevant. The release is still a remix of this artist's work. If the remixes are done by others, they should be listed as separate artists."
Jethro Tull - Aqualung (2016) {40th Anniversary Adapted Edition, Remixed And Mastered By Steven Wilson}

Jethro Tull - Aqualung (2016) {40th Anniversary Adapted Edition, Remixed And Mastered By Steven Wilson}
2CD | EAC Rip | FLAC (Img) + Cue + Log ~ 538 Mb | MP3 CBR320 ~ 250 Mb
Covers Included (JPG, 300 dpi) | RAR 5% Recovery
Progressive Rock, Folk Rock, Classic Rock | Chrysalis #0825646487080

The leap from 1970's Benefit to the following year's Aqualung is one of the most astonishing progressions in rock history. In the space of one album, Tull went from relatively unassuming electrified folk-rock to larger-than-life conceptual rock full of sophisticated compositions and complex, intellectual, lyrical constructs. While the leap to full-blown prog rock wouldn't be taken until a year later on Thick as a Brick, the degree to which Tull upped the ante here is remarkable…