"…Within a great session at an scottish artist location sang Christian Willisohn very impulsive and played a very concisely piano. Expressive join in sax, guitar, bass and drums into a very dynamic and balanced sound characteristics…" ~sa-cd.net
"Ein musikalisches Meisterwerk, dem Günter Pauler einen Sound schneiderte, der schon auf CD um Welten besser klingt als andere 'hochauflösende' Scheibchen. Die Stimme ist mega-präsent, die Gitarre kommt ungemein konturiert und körperhaft, die Begleitung dermaßen plastisch, dass man selbst als eingefleischter Analog-Fan hochachtungsvoll den Hut zieht." ~stereoplay
"…This nomadic anthology captures the pathos of the human condition with originality and verve. Multichannel SACD is an ideal medium for this music. The understated nuances of the various stringed instruments are reproduced with clear acoustics, whether it’s a prominent rhythm guitar, or delicate lute. Tonal quality of the voices is flawless. The depth and texture of the vocals (in particular the ensembles) refine the musical eminence." ~Audiophile Audition
"…The music works beautifully in this arrangement by group member Thomas Schindl, scored for piano, harp, vibraphone, and double bass, along with a part for guest percussionist Sven von Samson. The colorful and unusual instrumentation creates an even broader expressive palette than the piano version, and the evocative percussion atmospherics that surround some of the pieces add about 10 minutes to the total duration of the suite. The playing is delicate and spirited throughout, and the sound quality of the SACD is balanced and detailed." ~allmusicguide
…Stockfish continues to shine with its groundbreaking SACD technology. The precision and clarity of the stringed instrumentation is flawless, augmenting the acoustics without compromising the intended starkness. (…) Songs For The Road is an engaging album.
"…Stockfisch has reproduced the live feel of this extraordinary group with great precision. The separation of the instrumentation (especially between guitar and violin, and accordions) eliminates the occasional dint of live recording. The balance of the sound seems proportionate. Vocals never impinge on the music, and vice versa. Live At Stockfisch Studio is a towering achievement." ~audiophile-audition
As you traverse the rolling landscape of ‘Hotels And Dreamers’ Allan Taylor draws you in with a richly grained collection of songs to stimulate both heart and head. The terrain is occupied by wise-but-weary vocals, and muted acoustic arrangements which conspire to pay gentle and affectionate homage to “the Beats who started me on this road” and contemporaries who also took this route less travelled…
…"Colour to the Moon" represents the work of an artist at the height of his powers, looking back as well as forward, few people can convey with such eloquence their life experiences.
"…The disc’s exceptional, state-of-the-art recording draws you in right close, with Allan’s very special and intimate delivery cocooned by the immaculately judged and empathic contributions of a handful of other musicians (guitar, dobro, accordion, banjo, bowed psaltery, fretless bass). I feel sure that Leaving At Dawn will come to be judged as one of Allan’s finest ever collections." ~folk roots