Blue & Lonesome is a covers album by The Rolling Stones - their 23rd British and 25th American studio album - released on 2 December 2016. It is the band's first album to feature only cover songs. It is their first studio release since 2005's A Bigger Bang. "Just Your Fool", a Little Walter cover, was released as the first single from the album on 6 October. In April 2016, at the launch of the Rolling Stones career retrospective Exhibitionism, the band confirmed their new album due to be released "some time in the autumn". Richards said the album would feature "a lot of Chicago blues". Eric Clapton plays guitar on two tracks. Clapton was recording his own album in the same studio as the Stones were and was asked to play on a few tracks. The album is entirely blues-based, consisting of covers of artists such as Howlin' Wolf and Little Walter.
Emotional Rescue is the 15th British and 17th American studio album by The Rolling Stones, released in 1980. Upon release, it topped the charts in both the US and UK. Released in June with the disco-infused hit title track as the lead single, Emotional Rescue was an immediate smash. The title track hit No. 3 on the Billboard Hot 100. The album gave the Rolling Stones their first UK No. 1 album since 1973's Goats Head Soup and spent seven weeks atop the US charts. The follow-up single "She's So Cold" was a top 30 hit while "Dance Pt. 1" reached No. 9 on Billboard's Dance chart. In 1994, Emotional Rescue was remastered and reissued by Virgin Records…
The three-disc box set Singles Collection: The London Years contains every single Rolling Stones singles released during the '60s, including both the A- and B-sides. It is the first Stones compilation that tries to be comprehensive and logical – for all their attributes, the two Hot Rocks sets and the two Big Hits collections didn't present the singles in chronological order. In essence, the previous compilations were excellent samplers, where Singles Collection tells most of the story (certain albums, like Aftermath, Beggars Banquet, and Let It Bleed, fill in the gaps left by the singles). The Rolling Stones made genuine albums – even their early R&B/blues albums were impeccably paced – but their singles had a power all their own, which is quite clearly illustrated by the Singles Collection.
Hot Rocks covers most of the monster hits from the Stones' first decade that remained in radio rotation for decades to come. More Hot Rocks goes for the somewhat smaller hits, some of the better album tracks, and a whole LP side's worth of rarities that hadn't yet been available in the United States when this compilation was released in 1972. The material isn't as famous as what's on Hot Rocks, but the music is almost as excellent, including such vital cuts as "Not Fade Away," "It's All Over Now," "The Last Time," "Lady Jane," the psychedelic "Dandelion," "She's a Rainbow," "Have You Seen Your Mother Baby, Standing in the Shadow?," "Out of Time," "Tell Me," and "We Love You." The eight rarities are pretty good as well, including their 1963 debut single "Come On," early R&B covers of "Fortune Teller" and "Bye Bye Johnnie," great slide guitar on Muddy Waters' "I Can't Be Satisfied," and the soulful 1966 U.K. B-side "Long Long While."
This album was spawned by three coinciding events – the need to acknowledge the death of band co-founder Brian Jones (whose epitaph graces the inside cover) in July of 1969; the need to get "Honky Tonk Women," then a huge hit single, onto an LP; and to fill the ten-month gap since the release of Beggars Banquet and get an album with built-in appeal into stores ahead of the Stones' first American tour in three years. The fact that the Stones had amassed a sufficient number of hits since their last greatest-hits compilation in early 1966 (Big Hits: High Tide and Green Grass) made this a no-brainer, and its song lineup was as potent at the time as any compilation of hit singles by any artist.
The British version of the Stones' first album has a nearly identical cover to its American equivalent, issued six weeks later, but a slightly different song lineup. Among these 12 songs, absent is "Not Fade Away," which was a hit single in England (where singles and LPs were usually kept separate), and in its place is the Stones' cover of Bo Diddley's "Mona (I Need You Baby)" (credited here as "I Need You Baby"), which had to wait until Rolling Stones Now!, a year later, for its U.S. release. It's not a big switch, a Bo Diddley-style cover of a Buddy Holly song bumping an actual Bo Diddley cover on the U.S. version. Otherwise, the main difference lies in the version of "Tell Me" included here, which sounds about two generations hotter than any edition of the song ever released in the U.S. – it's the long version, with the break that was cut from the single, but the British LP and the original late-'80s Decca U.K. compact disc (820 047-2) both contain a version without any fade, running the better part of a minute longer than the U.S. release of the song, until the band literally stops playing.