These first complete recordings of the string quartets of Schoenberg, Berg, Webern and Zemlinsky have won numerous international awards and been hailed as landmarks in the discography of 20th-century music. Impeccable ensemble, superbly blended timbre and pure intonation ….This set [Schoenberg, Berg, Webern] is indeed a wonderful achievement (MusicWeb International). Febrile intensity and faultless proportioning of each formal structure [Zemlinsky] (Guardian).
From an early age Max Bruch had enjoyed the ideal conditions for becoming a composer: his family had considerable cultural awareness and gave him all the support he needed. He had already composed not only a (lost) symphony but a significant proportion of his chamber music while still a student. The two youthful String Quartets Op.9 in C minor and Op.10 in E major show a Romantic exuberance poured into classic and classical moulds. The members of the ISOS Quartet — Isabelle van Keulen, Katharine Gowers, Vladimir Mendelssohn and Imke Frank — know each other from several important summer festivals as Lockenhaus and Kuhmo. As their CD debut, they recorded both string quartets by Max Bruch exclusively for Koch International Schwann.
Born in Toledo, Manuel Canales (1747-1786) moved to Madrid around 1770 and entered into the service of the Duke of Alba. A frequent visitor to the court of King Carlos III, he likely associated with his more famous contemporary, Luigi Boccherini, who was also in this flourishing cultural center at the same time. Canales' string quartets show a familiarity with his work, as well as with the early compositions of Haydn.
Originally published in London, these 3 quartets form the first half of Op.3. The only known chamber works of Canales, these compositions follow the usual four movement format, although they place the Minuet as the 2nd movement, instead of the more customary 3rd position.
Few specifics are available regarding Spanish composer Josep Teixidor. Not even the date of his death nor the publication dates for many of his works are known for certain. It is not surprising that his music should be so little known. With so few examples of music from the Classical period outside of Germany and Italy, it is instructive to hear what was going on in nearby countries, and especially to notice just how far the long arms of masters such as Boccherini and Haydn reached. This album features three of his known string quartets, a genre certainly informed by Teixidor's knowledge of Haydn. The quartets are firmly rooted in Classical tradition, with no alarming or startling innovations to be found.
Schubert's 'Death and the Maiden' Quartet is now available on Blu-Ray, DVD and HD video to download. The concert includes the early quartets in D Major D74 and B-flat Major D68 as well as the monumental 'Death and the Maiden' D810, and it's the first release of the Cuarteto Casals' five disc set of live performances of the complete quartets of Franz Schubert…
The Aeolian Quartet's epic cycle, originally released in the Seventies, was one of the gramophone's major contributions to Haydn's cause. Listening to the performances anew I find they have lost none of their freshness: they were based on the latest research, and the playing itself is always intelligent and thoughtful, with Emanuel Hurwitz's sweet-toned violin-playing a great asset throughout. (Misha Donat)
At the heart of Beethoven’s life’s statement as a composer lies the cycle of sixteen string quartets, which, to this day, has retained a special status and reverence. Since 2012, the Elias String Quartet has been immersed in its Beethoven Project, performing all Beethoven’s string quartets at venues throughout the UK. In this live recording, the ensemble captures both the intimacy and grandeur of the works. With an ever-expanding recording catalogue that has been met with widespread critical acclaim, the quartet is delighted to release this disc, the first volume of its complete Beethoven cycle to be recorded live at Wigmore Hall over the coming Seasons.
Brett Dean is not shy about revealing what his music is ‘about’. Whether inspired by certain individuals (as in Epitaphs), or by an ecological or human disaster (as in his String Quartet No. 1, on the now all too topical plight of refugees), Dean’s works are usually – perhaps invariably – driven by extra-musical narratives. Rather than tease out any innate structural puzzles or tensions, his music typically falls into short little dramatic narratives – no movement on this disc lasts as long as eight minutes, many of them rather less than five. The most obviously successful work here is Quartet No. 2, ‘And once I played Ophelia’, effectively a dramatic scena. Its soprano soloist is no mere extra voice (as in Schoenberg’s Second Quartet) but the leading protagonist. Allison Bell’s genuinely affecting performance is backed by the Doric Quartet’s expressionist scampering and sustained harmonies, the strings occasionally coming to the fore in the manner of a Schumann-style song postlude.
Franz Liszt, writing about Grieg's String Quartet No 1, declared: 'It is long time since I have encountered a new composition, especially a string quartet, which has intrigued me as greatly as this distinctive and admirable work by Grieg'. Grieg himself said that his quartet '… aims at breadth; to soar, and above all at a vigorous sound for the instruments for which it is written.' In 1891, Edvard Grieg started his second quartet, but sadly lacked inspiration and time to finish the last two movements. Levon Chilingirian of the Chilingirian Quartet has studied the original manuscripts of the first two movements (which have many clarifying instructions added by Julius Röntgen in preparation for their printing by C F Peters in 1908) and prepared the third and fourth movements especially for this recording. This is therefore a first recording of the completed String Quartet No 2.