For the "Ouverture spirituelle", featuring sacred music within the Salzburg Festival, Nikolaus Harnoncourt chose two seldom heard works by Mozart. Together with the Arnold Schoenberg Chor and his Concentus Musicus Wien ensemble, he conducts the Litaniae de venerabili altaris sacramento K.243 and the Missa longa in C major K.262 in the unique venue that is Salzburg Cathedral, a jewel of Baroque architecture. These two highly expressive works were written by Mozart when he was a mere twenty years old.
Allan Pettersson composed his Ninth Symphony in 1970, two years after the Seventh had been given a triumphant première conducted by Antal Dorati. This had brought him greater recognition than ever before, but at the same time his health was deteriorating even further, and shortly after completing the Ninth Pettersson was hospitalized for a period of nine months. It is striking that he at such a time should have chosen to compose what is the longest of all …..
Among the symphonies by Allan Pettersson, the Seventh is often accorded a special importance, partly because of the immediate success it enjoyed at its first performance, in 1968, but also because it has come to be perceived as more closely associated than other works with the personal life of its composer. As a result, Symphony No.6, which was premièred less than a year before the seventh, has come to be overshadowed by its successor. It is …..
The musical reconstructions industry keeps gathering pace, but few works have attracted as much attention as Mahler's 10th Symphony. Joe Wheeler (who died in 1977) was a brass-playing British civil servant with a passion for Mahler. This completion (itself in an edition by the conductor here, Robert Olson) uses the leaner orchestration of the composer's later years. But does it sound Mahlerian? Certainly more so than Remo Mazzetti's 1997 version, but neither caps Deryck Cooke's acute sense of authentic detail and color in his legendary edition.